Friday

03/10/2026

𝙎 𝘼 𝘿 𝘼 صدى / 𝙊𝙣 𝙀𝙘𝙝𝙤𝙚𝙨 explores cultural resonance as both a haunting and a form of persistence. An echo cannot exist without an origin, no mater how distant.

For the Palestinian diaspora, this reverberation extends across generations. The source becomes more distant, yet continues to shape language, memory, identity, and the spaces we inhabit. What is inherited is not static. It bends, adapts, disperses, and reconstitutes itself as it move

The exhibition moves through four interconnected reverberations. Ataba is the threshold, drawing from an inherited geometries rooted in Palestinian and Levantine architecture. Mada is extent, the distance across which something continues. Tayf is a spectral presence shaped by forces acting upon it, persisting through deformation rather than rigidity. Athar is the trace, the evidence that remains after transformation.

—

30/09/2026

MADA I, MADA II, and MADA III مدى
clear anodized aluminum, media blasted
waxed aluminum wire
44.5” x 67” x 4”
2026

___
Sada / on Echoes is a solo show by Palestinian-American artist Charles Karim Aweida Charles Aweida. His metal-woven sculptural bodies draw on the algorithms of an echo: resonance separated from its origin, yet forever bound to it. To live in the Palestinian diaspora is to know this distance intimately. The echo always remembers the voice that breathed it into life.

In Mada مدى, lines extend as continuous transmissions, shifting as they travel. Their movement considers distance as a thread of continuity: memory carried across generations and geographies as an unbroken line.

On view Sept 22-Dec 15
Friday Gallery
767 S. Alameda St. #198
Los Angeles, CA 90021
Tues-Thurs 1-5pm and by appointment
[email protected]

23/09/2026

𝙎 𝘼 𝘿 𝘼 صدى / 𝙊𝙣 𝙀𝙘𝙝𝙤𝙚𝙨
Opening tonight. Solo exhibition by Palestinian-American artist Charles Karim Aweida Charles Aweida

19/09/2026

19/09/2026

Athar is a trace, an imprint, evidence of something that remains. Beginning at a precise perimeter, lines transform until they converge around a perfect circular center. 
One geometry dissolves into the other while an uninterrupted lineage connects the two. Form and body shifts as distance from the origin expands. We remember the center, no matter how far we journey from it.

ATHAR II
black anodized aluminum media blasted,
waxed aluminum wire
44 in x 44 in x 8 in
—

𝙎 𝘼 𝘿 𝘼 صدى / 𝙊𝙣 𝙀𝙘𝙝𝙤𝙚𝙨 is a solo show by Palestinian-American artist Charles Karim Aweida Charles Aweida. His
metal-woven sculptural bodies draw on the algorithms of an echo: resonance carried at a distance, separated from its origin yet bound to it. To live in the Palestinian diaspora is to know this distance intimately. The echo always remembers the voice that breathed it into life.

Join us for a reception with the artist on Tuesday September 22 from 7-9pm.

RSVP at Partiful below 🙏

19/09/2026

Iأثر Athar is a trace, an imprint, evidence of something that remains. Beginning at a precise perimeter, lines transform until they converge around a perfect circular center. One geometry dissolves into the other while an uninterrupted lineage connects the two. Form and body shifts as distance from the origin expands. We remember the center, no matter how far we journey from it.

ATHAR II
black anodized aluminum media blasted,
waxed aluminum wire
44 in x 44 in x 8 in

—
𝙎 𝘼 𝘿 𝘼 صدى / 𝙊𝙣 𝙀𝙘𝙝𝙤𝙚𝙨 is a solo show by Palestinian-American artist Charles Karim Aweida. His
metal-woven sculptural bodies draw on the algorithms of an echo: resonance carried at a distance, separated from its origin yet bound to it. To live in the Palestinian diaspora is to know this distance intimately. The echo always remembers the voice that breathed it into life.

Join us for a reception with the artist on Tuesday September 22 from 7-9pm.

RSVP at link in bio

19/09/2026

Athar أثر is a trace, an imprint, evidence of something that remains. Beginning at a precise perimeter, lines transform until they converge around a perfect circular center. 
One geometry dissolves into the other while an uninterrupted lineage connects the two. Form and body shifts as distance from the origin expands. We remember the center, no matter how far we journey from it.

ATHAR II
black anodized aluminum media blasted,
waxed aluminum wire
44 in x 44 in x 8 in