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La Mort Clothing

London's Finest Graphic Apparel. www.lamortclothing.com We’ll tear up each other’s work and redraw ideas in our pursuit of pure design.
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At La Mort Clothing, we produce one of the finest collections of contemporary graphic apparel currently available, and it is our potent style of death-laced design and urban sensibility that has laid the foundation for our unique, ultra-hip streetwear brand. Formed by London-based graphic artists Faye Winslade and David Underwood, La Mort Clothing has developed from a love of funereal symbolism an

d a belief in the strength of traditional iconography.

“For us, the real excitement in our work comes from the fact that Faye and I, have different artistic backgrounds and often approach the same design from opposite directions. I think our passion is communicated by each new drawing we produce and, to me, this is the foundation of our graphic style”

David Underwood

The powerful, recognisable style of our artists has evolved to include elements of devotional and decorative art and our large, poster-style graphics are at the center of our brand identity.

“La Mort has been a constantly evolving artistic process. We did not start out with the intention of forming a fashion label; it just grew from other projects that we were involved with. Since David and I met at art school, we always seemed to be working towards something together. Now it’s here’

Faye Winslade

09/08/2026

Here’s part two of our Tewkesbury Medieval Festival coverage.

After the amazing response to our first post, I’ve decided to focus this time on the thunderous sounds of the battle.

The festival is the largest free medieval gathering in Europe, drawing thousands of visitors to Gloucestershire every July. It honours those who fought at the 1471 Battle of Tewkesbury, a pivotal clash in the Wars of the Roses, and the reenactment takes place on part of the original battlefield.

Around 2,000 warriors take part, including armoured knights, archers, and men-at-arms. Together, they recreate the discipline of moving onto the field and the quick and violent descent into chaos.

Watching that many bodies in armour form up and advance is an entirely different experience from reading about it in a history book, and the most terrifying and unexpected part is the deafening noise.

Each hand-forged blade, piece of plate armour, and coat of mail has its own distinctive sound, and as large groups of fighters begin to move together, a rhythmic, metallic heartbeat rises from the field, over which you can hear the barked orders of commanders and the shouts of excitement. It's a powerful thing to watch.

Beyond the fighting, reenactors set up full encampments for the weekend, living as a medieval army with period crafts, camp life, and even families in tow. It’s this level of commitment that gives the festival its authenticity, and why we hope to keep coming back to document it.
Huge thanks again to everyone who told us to keep the photos coming. Follow along for more from the armoury and the field.

Tewkesbury Medieval Festival | La Mort Clothing | Battle of Tewkesbury

27/07/2026

VICTORY TO EMMA PEARN AND HER TEAMMATE BENEDICT GREEN!

This week, several teams of the toughest jousters on the international circuit spent six days battling it out in the grounds of Arundel Castle. We headed down to support our friend Emma Pearn and watch her in action.

We positioned ourselves in the perfect spot at the end of the tilt rail. Lessons had been learned at the previous tournament, where it became obvious that with each run you have only one or two seconds to capture the perfect shot.

Being able to dial in your camera settings quickly is absolutely essential! As soon as the first riders appeared, it was clear that Arundel was on a completely different level.

These were top-tier jousters, charging at one another and striking with frightening force.

In the early afternoon, Emma appeared in gleaming Gothic armour atop a dark, shadow-like horse, and we nervously waited to see how things would unfold. The next few minutes were incredible. At times, each jouster was being hit so hard that they were rocked back in the saddle.

As the final run ended with a victory for Emma, I could hear her screaming with excitement as she charged towards me, her lance raised high above her head. For six days, Emma and Ben faced some of the toughest competitors from around the world, making their victory even sweeter. A huge congratulations and well done to both of them!

Head over to Emma Pearn to see a whole load more epic photos from Emma.

19/07/2026

Here’s the initial painting stage of the skull prop. The last time I was applying washes and drybrushing models like this, they were plastic soldiers when I was a kid. It’s funny how these things stay with you and you still remember exactly how to do them 25 years later.

La Mort Clothing | Skull Painting | Gothic Art

16/07/2026

We finally made it to the Tewkesbury Medieval Festival! The largest medieval reenactment festival in the UK, it commemorates the Battle of Tewkesbury of 1471, one of the defining conflicts of the Wars of the Roses. For anyone with a love of medieval history, historical reenactment, and medieval armour, it's an unforgettable experience.

Andy and I arrived early and spent an amazing day wandering through the bustling medieval market and military encampments in the blistering heat, drinking beer and soaking up the atmosphere while we waited for the battle to begin.

Between three and four o'clock, a feeling of menace slowly fell over the site as large groups of armoured knights, men-at-arms, and longbowmen gathered silently in the shade of the trees. The hour of the battle drew near and then, all at once, they surged like a sea towards the field. It was an incredible feeling to be among them. More on that in a later post.

Once they had formed up, the Battle of Tewkesbury began. For the next hour, two huge groups of medieval infantry clashed, slashing and battering each other with swords and poleaxes in one of the most spectacular historical reenactments we've ever seen. It was absolutely epic.

We took well over a thousand photographs across the weekend, and this post features just a few of our favourites. Capturing the incredible craftsmanship of the armour, the authenticity of the encampments, and the passion of the reenactors was a genuine privilege.

A huge thank you to all who took part. Please do us a favour and leave a comment if you recognise yourself or any of your friends in these photos so we can tag you.

10/07/2026

I recently stumbled across some time-lapse videos I made of my inking process, and it got me thinking about making some more.

As you can imagine, the process is very slow and methodical. It can take me three or four days to lay down the thousands of dots that make up a single central figure. The videos are less about explaining how I do it and more about capturing the passage of time and watching something gradually emerge from nothing.

Drop a comment below if it's something you'd like to see. If enough of you are interested, I'll try to film every stage of my next drawing, so you can watch the whole thing come together from start to finish.

La Mort Clothing | Historical Art | UK Clothing Brand | Gothic Art

07/07/2026

I've walked across the bridge into Bodiam Castle twice.

The first time, I was eight years old. We stopped there late in the day on the way back from a school trip. I hated being away from home, and I can still remember wandering around the medieval castle in the soft evening light, deliriously happy that I was finally on my way back. When we returned to school, I spent the next week obsessing over a pastel drawing of Bodiam Castle, completely absorbed by its towers, moat, and medieval architecture.

After I'd finished it, my teacher showed my friend how to make a copy of my drawing. It's been more than thirty years, and it still makes my blood boil.

The second time I crossed that bridge, I was on my honeymoon. Lucy and I wandered through the same historic walls to take these photographs. We'd only been married about a week, and standing inside one of England's most beautiful medieval castles, I felt exactly the same overwhelming sense of happiness.

As we walked back across the bridge towards the car, I looked at her and thought, "Does she have any idea what it feels like, as an eight-year-old, to have your drawing of a castle stolen?"

01/07/2026

Hey everyone! Here's part two of my guide on distressing and painting a human skull prop. Luckily, I managed to finish it before the heatwave hit, because when I'm working, I have some seriously hot LED panels lighting my setup.

Right from the start, I knew I wanted this skull to have a horrible greyish pallor, as though it had been left outdoors and weathered by the elements. It took far more washes and glazes than I expected, but I'm really pleased with how it turned out.

If you know anyone who's into LARP, cosplay, or prop-making, please share this with them. And if you have any questions about the materials, paints, or techniques I used, feel free to ask in the comments.

I'm also thinking about starting to upload full-length process videos to our YouTube channel. Would that be something you'd be interested in watching?

28/06/2026

I'd forgotten how peaceful it is just sitting there sculpting and painting for hours on end. I'm experimenting with the way I film my working processes and this is a bit of a return to the time-lapses I used to post several years ago.

Our inbox is always open if you have anything you want to see from us on our socials.

25/06/2026

Hey everyone! Continuing the theme of giving you a glimpse into what goes on in the La Mort studio, we’re going to be sharing the techniques and processes we use to create our reference props and medieval costumes. For anyone interested in LARP, filmmaking, or cosplay, I’m hoping you’ll pick up some useful tips on distressing and weathering costumes, prop making and sculpting, and painting on different materials.

Each of my drawings is based on reference photos that we take using costumes we’ve made or assembled. While putting a costume together, I use a mannequin so I can see how everything looks and work on individual parts more easily. Recently, I’ve been thinking that the mannequin should have a skull. It adds to the visual effect, and this is La Mort, after all!

After digging out an old resin skull that had been sitting in a box in the garage, I set about distressing and painting it, loosely basing it on images from the Capuchin Crypt in Rome. This is part one of two, and I’ve laid everything out in easy-to-follow steps, so if you feel like following along, you can.

Does anyone know of any other crypts that are worth visiting for inspiration? I want to go to places that will make me uneasy.

21/06/2026

It seems quite a few of you wanted to know the hidden meanings behind the competition clues. I’m so pleased that you guys are into this kind of thing as much as we are and you can be sure that the next competition we run won’t be too far away.

Until then, swipe through the images to find out what the poems meant.

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Arundel
BN18 9AB

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http://www.lamortclothing.com/

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