Adam Niewood Mouthpiece Work

Adam Niewood Mouthpiece Work Professional accurate bespoke custom alterations: Creating unique one of a kind saxophone Mouthpieces Finishing the baffle profile behind the tip rial.

My rates:

There is a fee of $65 (per mouthpiece) for the initial assessment. This is where I measure the tip opening, facing curve and dimensions studying the mouthpiece looking for natural wear or flaws in craftsmanship. Should we decide to make adjustments, the $60 fee is applied towards the cost of any work you have done. Standard reface:

$400.00 - Bronze
$350.00 – Brass, Solid S

ilver or Wood
$275.00 – Hard rubber or Resin


Common Question: "What is a reface?"

Answer: Checking that the table is perfectly flat. Measuring the facing curve to make sure it's balanced and even, and mathematically proportionate to the tip opening (your choice of short, medium, or long facing lengths.) Finding any bumps or imperfections in the facing curve, and smoothing them out, to create the best surface for the reed to vibrate against. Trimming/cutting the tip, beak, and the tip & side rails so that they are both even and symmetrical. Basically the mouthpiece refacing process checks for any inherent flaws and corrects them, so that the mouthpiece blows even throughout all registers, is reed friendly and projects with ease without sounding bright, shrill or edgy.


**A lot of folks have asked me if I will shape the tip of their mouthpiece to the reeds they play. Since putting this site up, I neglected to mention that this is an integral part of the reface process. This is not a problem at all. I keep a variety of reeds on-hand, but on the off chance you play a brand I don't have, simply send a couple with your mouthpiece and I'll happily shape the tip to fit them.**

$100 per/hour for all other procedures and/or custom modifications:

Finishing rough blanks
Opening/closing a mouthpiece, or changing the tip measurement. (For example, the procedure of opening a mouthpiece from a small tip opening like an Otto Link 4 into an 8 is timed at $100 per hour in addition to the reface process)
Adjusting the baffle profile to get the desired projection, and sound quality. Table Reconstruction, and/or reshaping the sides of a mouthpiece

Chamber expansion

Fixing a cracked or chipped hard rubber piece

Custom epoxy work (Baffle inserts, repaired chipped Tips, etc)

If you think your mouthpiece needs anything listed above, or has "special needs," simply write me an email, and ask me a question. The $65 initial assessment fee is required up-front. Payment is required up-front for custom orders. I DO NOT do "rush jobs," and/or promise to meet any set deadlines. Payment for all services rendered must be made immediately after the job has been completed. No mouthpiece will be returned with an open or unpaid balance. The customer is responsible for the return shipping costs
I prefer my customers mail their mouthpieces to me. I can take anywhere from 4 - 10 hours refacing, perfecting and play-checking a mouthpiece. I do not like to rush the play-checking period either, as a player's impression of a mouthpiece can change over time. I don't make a habit of working on player's main #1 mouthpieces; that is a recipe for disaster... I prefer to attempt to work with a piece someone is not happy with, and turn it into a good back up, (or even better) the new #1. Although I do prefer all work mailed to me… I do offer in-person consultation.

09/03/2026

The work I do is not a substitute for ⏳️ time spent in a practice room.

I have had much success helping many professional players - but i would never claim credit for their abilities, capabilities, or how they sound. The work I do for them is what they asked for - and a professional knows what to ask for & how to utilize what they've requested.

The way a professional player sounds? That, they own alone, through all of the countless hours logged, spent in a practice room honing their technique and overall artistic aesthetic.

Pay for lessons first, and spend the time in a practice room... before you come to my shop looking to be made to sound like anyone other than yourself. Changing mouthpieces isn't going to do that for you.

09/03/2026

Standing outside Smalls Jazz club the other night, totally nerding gear with Flynn Marcus & Ravi Coltrane = Fun 😁

Anyone who knows a Saxophone player understands what happens when you get more than one of us together...

09/03/2026

Here is that same 7 * [with strange aftermarket Asterix] AFTER having the tip opening adjusted down from .109" down to .105" and refaced as a 7* "exactly like Chris Potter's" (lol)

09/03/2026

Initial assessment of an Otto Link 7 (with aftermarket Asterix or 🌟) that came in for refacing and modifications.

The mouthpiece did not measure as stamped, and having a multitude of issues.

Have a look 👀 (several remaining videos of this initial assessment evaluation in the comments section)

08/27/2026

Time Capsule

08/19/2026

1st time working with this "Yardbird" metal alto mouthpiece. I was surprised, in that It doesn't seem that long ago this was launched.

Client blew 90% of the gold plating off the table and facing, and felt it didn't feel right.

Fresh facing made for a nice play check!

08/17/2026

There's a church across the street

08/12/2026

Have a gander, and listen to that previously once mistreated Selmer Soloist D for Alto.

All the Boo-Boo's are mended, opened-up to .081" and ready to be put through it's paces.

08/11/2026

PSA:

It's always best to soak a dirty setup in an H20 + _______ (add your favorite subtance, I prefer vinegar) solution, rather than using any abrasives.

I guarantee you: Using pliers, clamping it in a vise & then using a longer metal implement... something sharp, like a small screwdriver for eyeglasses (for example) to scrape around inside our mouthpiece? You're going to damage it.

08/09/2026

In the early 2000s ... a young apprentice who had "just hung his tile" in Manhattan... along with my friend Mike Eberhardt whom suggested we get some lost wax castings of his Bob Dukoff 7 ... a large chamber alternative to the Otto Link, I finish them, and we'd release some cool s**t out into the NY sax gear geek scene. And that's exactly what we did, on a small underground scale.

August 2026: this is my very last one, last blank. The Bronze has sat resting for 20 years, developing a nice surface oxidation and patina. For whatever reason, I decided to finish it today. The work flowing very easily the blank wanted to finish-out as a 7 at .100" ... not .099", not .101", the needle rests squarely at .100" thousandths, on the nose. The perfect 7 👌

Looking good, I was curious to play it! It plays so easily... makes the old Selmers ring right in-tune. So rarely do I do this, but i'm plucking this one out and keeping it for myself. Where would i find another one?

🤦‍♂️🤣

Custom woodwind mouthpiece modifications and Fine Finish Work by Adam Niewood

Address

Upper Montclair, NJ

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