03/09/2026
Adults Isn’t The New Friends — It Feels Deeply Connected To New GirlSeason 2 of Adults has truly taken over my entire personality, and I’m so glad that the FX comedy is finally getting the love it deserves. But I would also like it noted (for the record, and perhaps etched into the history books) that I was there from the start. And because I’m an OG fan, I would like to formally ask all new fans to stop comparing it to Friends and turn their attention to New Girl instead.
I know why people reach for Friends. Adults focuses on friends who live together, date within a concerning radius, have meals together, and so on. It’s an easy reference point. But I’m a Friends hater, and I won’t apologise for being right. I know that’s not a universally popular position and I’m not here to tell anyone their comfort show is bad. Humour is absolutely personal. Your favourite joke could be my scroll-time joke. But I rewatched Friends fairly recently, genuinely open to having my mind changed, and spent a lot of it waiting for the moment it would properly click for me. It didn’t.
That’s probably why I feel comfortable making this call. I’m a sitcom person. When life gets too loud, I would much rather spend time with Leslie Knope, Jessica Day or the residents of Apartment 23 than sit quietly with my own brain. If I’m putting on a comfort show, I want weirdos with strong opinions, poor boundaries, and a habit of turning a small issue into something that requires a group meeting.
Which brings us to Adults. Samir, Billie, Anton, Issa and Paul Baker all live together in Samir’s family home in Queens. Their friendship is the whole engine of the show: close enough to be caring, tangled enough to be exhausting, and always at risk of becoming somebody else’s problem. One person cannot have a bad date, a work crisis or a strange guest on the couch without it becoming an event for the house.
That feels deeply New Girl to me. The house is where everybody’s separate lives collide. In Friends there were actually four households at any given time. The singular home is where you hear the argument through a wall, where the person who claims not to care is suddenly involved, where an innocent problem turns into a plan that nobody has thought through.
Adults Season 2 gets to have fun with this. Billie crosses paths with the 20-year-old who inherited her fake ID. Issa starts thinking seriously about fertility, then hosts Acid Night with Paul Baker. I simply can’t imagine Ross and Rachel hosting Acid Night, can you?
The season also shows Anton processing his sister beginning a family. It has the same emotional flavour as Jess Day dealing with her dad marrying her high school acquaintance: an adult milestone becoming an opportunity to realise, with horror, that the people around you are moving through life at a different speed. Both shows are somewhat rooted in realistic situations.
The Raccoon episode, in particular, feels like a perfect New Girl-coded descent into household madness: a trapped animal, altered states, unresolved romantic tension and a friend group learning that avoiding one difficult conversation tends to create six worse ones. My own rats in the wall did not join me in a th*****me, thankfully, but the mere premise gave me flashbacks to the badger in the vents during Cece’s wedding-that-never-was. Nature really does have a way of making a housemate crisis everyone’s problem.
Then, there’s the pace. Adults moves quickly and lets its characters say the wrong thing, then keep talking. I just don’t think the word “Nomenclature” would hit in an episode of Friends. The jokes in Adults and New Girl can be absurd, but the worries underneath them are familiar: jobs that make you miserable but give your week a shape, career anxiety, confusing friendships, relationships that seem fine until they very suddenly are not.
Reviews of Season 2 have pointed to how much more assured the show feels now, especially in the way its ensemble bounces off one another. That’s the good stuff. Everyone’s funny on their own, but the show works best when somebody’s small decision ripples through the house and forces everyone else to reveal something annoying about themselves.
I do occasionally wish it had more time. Eight episodes asks a lot of a comedy, particularly one with this many characters and moving pieces. Sometimes a storyline can feel as though it’s racing to land before the credits. That’s not really a complaint about the people making Adults. It’s a complaint about streaming-era comedy and the ongoing refusal to give us the episode where nothing much happens except someone loses a key, gets ignored by customer service, or starts a house fight over the last Buldak ramen. God forbid a girl wants a filler episode.
Still, I don’t actually think Adults needs to be filed entirely beside New Girl, either. The comparison helps explain its housemate energy, but the show has a voice of its own and fits better in a newer era. There has been a recent run of young-adult comedies that are strange, quick and emotionally specific. Overcompensating and potentially Sterling Point (although more drama leaning) belong in that conversation, too. They feel real while being absurd, and I love each of them for different reasons. I refuse to discuss Not Suitable for Work because I am still grieving what could have been.
But these shows deserve their own corner in the comedy world. They’re willing to push a joke until it becomes uncomfortable, then make the discomfort funny. It understands that being a young adult can involve a lot of admin, a lot of uncertainty, and the strange intimacy of having people around who know your worst habits before you do.
So yes, I understand the Friends comparison. I just think it misses the point. Adults is closer to the glorious domestic chaos of New Girl, while still being happily, distinctly itself.
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