Textile Student

Textile Student This group is a meeting place for all textile student including textile engineers.

05/12/2025

đŸĻ‹đŸ’™â€”"Success is more important than a colorful spring in life...!!!"🌸💙

04/12/2025

āφāϜ ā§Ē āĻĄāĻŋāϏ⧇āĻŽā§āĻŦāϰ āϜāĻžāĻ¤ā§€ā§Ÿ āĻŦ‍āĻ¸ā§āĻ¤ā§āϰ āĻĻāĻŋāĻŦāϏāĨ¤ āφāϜāϕ⧇āϰ āĻāχ āĻŦāĻŋāĻļ⧇āώ āĻĻāĻŋāύ⧇ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻļāĻŋāĻ˛ā§āĻĒ⧇āϰ āϏāĻžāĻĨ⧇ āϜ⧜āĻŋāϤ āϕ⧋āϟāĻŋ āĻŽāĻžāύ⧁āώāϕ⧇ āϜāĻžāύāĻžāχ āφāĻ¨ā§āϤāϰāĻŋāĻ• āĻļā§āϰāĻĻā§āϧāĻž āĻ“ āĻļ⧁āϭ⧇āĻšā§āĻ›āĻžāĨ¤

āĻŦāĻ¸ā§āĻ¤ā§āϰ āĻŦāĻž āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āφāĻŽāĻžāĻĻ⧇āϰ āĻœā§€āĻŦāύ⧇āϰ āĻāĻ• āĻ…āĻŦāĻŋāĻšā§āϛ⧇āĻĻâ€ā§āϝ āĻ…āĻ‚āĻļ,āĻāϟāĻŋ āĻļ⧁āϧ⧁ āĻļāϰ⧀āϰ āĻĸāĻžāĻ•āĻžāϰ āωāĻĒāĻžāĻĻāĻžāύ āύ⧟,āĻŦāϰāĻ‚ āϏāĻ­â€ā§āϝāϤāĻž,āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋ āĻāĻŦāĻ‚ āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋāϰ āϧāĻžāϰāĻ•āĨ¤ āĻāĻ•āϜāύ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻĄāĻŋāĻĒā§āϞ⧋āĻŽāĻž āĻĒā§āϰāĻ•ā§ŒāĻļāϞ⧀ āĻšāĻŋāϏ⧇āĻŦ⧇ āφāĻŽāĻŋ āĻāχ āĻļāĻŋāĻ˛ā§āĻĒ⧇āϰ āϗ⧁āϰ⧁āĻ¤ā§āĻŦ āĻ—āĻ­ā§€āϰāĻ­āĻžāϰ⧇ āωāĻĒāϞāĻŦā§āϧāĻŋ āĻ•āϰāĻŋāĨ¤
āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻĒā§āϰ⧇āĻ•ā§āώāĻžāĻĒāĻŸā§‡ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻļāĻŋāĻ˛ā§āĻĒ āφāĻŽāĻžāĻĻ⧇āϰ āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋāϰ āĻŽā§‚āϞ āϚāĻžāϞāĻŋāĻ•āĻžāĻļāĻ•ā§āϤāĻŋāĨ¤āϕ⧋āϟāĻŋ āĻŽāĻžāύ⧁āώ⧇āϰ āĻ•āĻ°ā§āĻŽāϏāĻ‚āĻ¸ā§āĻĨāĻžāύ āĻāĻŦāĻ‚ āĻŦ⧈āĻĻ⧇āĻļāĻŋāĻ• āĻŽā§‚āĻĻā§āϰāĻž āĻ…āĻ°ā§āϜāύ⧇āϰ āĻāχ āĻ–āĻžāϤ⧇āϰ āĻ…āĻŦāĻĻāĻžāύ āϏāĻ°ā§āĻŦāĻžāϧāĻŋāĻ•āĨ¤āĻŽā§‡āχāĻĄ āχāύ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻāχ āĻŸâ€ā§āϝāĻžāĻ—āϟāĻŋ āφāϜ āĻŦāĻŋāĻļā§āĻŦāĻœā§ā§œā§‡ āφāĻŽāĻžāĻĻ⧇āϰ āĻĒāϰāĻŋāϚāĻžā§ŸāĻ•āĨ¤ āφāϧ⧁āύāĻŋāĻ• āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻāĻ–āύ āφāϰ āĻļ⧁āϧ⧁ āϏ⧁āϤāĻŋ āĻ•āĻžāĻĒā§œā§‡ āϏ⧀āĻŽāĻžāĻŦāĻĻā§āϧ āύ⧟āĨ¤āĻ¸ā§āĻŽāĻžāϟ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ,āĻŽā§‡āĻĄāĻŋāϕ⧇āϞ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻāĻŦāĻ‚ āϜāĻŋāĻ“ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻāϰ āĻŽāϤ⧋ āύāĻŋāĻ¤â€ā§āϝāύāϤ⧁āύ āωāĻĻā§āĻ­āĻžāĻŦāύ āĻāχ āĻļāĻŋāĻ˛ā§āĻĒ⧇āϰ āϏāĻŽā§āĻ­āĻžāĻŦāύāĻžāϕ⧇ āύāϤ⧁āύ āĻĻāĻŋāĻ—āĻ¨ā§āϤ⧇ āĻāĻ—āĻŋā§Ÿā§‡ āύāĻŋā§Ÿā§‡ āϝāĻžāĻšā§āϛ⧇āĨ¤
āφāϜāϕ⧇āϰ āĻāχ āĻĻāĻŋāύ⧇ āĻĒāϰāĻŋāĻŦ⧇āĻļāĻŦāĻžāĻ¨ā§āϧāĻŦ āĻŦāĻž āϏāĻŦ⧁āϜ āϧāĻžāϰāĻŖāĻžā§Ÿ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻŦāĻŋāĻļā§āĻŦāϏ⧇āϰāĻžāĨ¤ āφāĻŽāϰāĻž āĻĒā§āϰāĻŽāĻžāĻŖ āĻ•āϰāĻ›āĻŋ āϝ⧇ āĻļāĻŋāĻ˛ā§āĻĒāĻžā§Ÿāύ āĻāĻŦāĻ‚ āĻĒāϰāĻŋāĻŦ⧇āĻļ āϏ⧁āϰāĻ•ā§āώāĻž āĻāĻ•āϏāĻžāĻĨ⧇āχ āϏāĻŽā§āĻ­āĻŦāĨ¤
āφāϜāϕ⧇ āĻāχ āĻŦāĻ¸ā§āĻ¤ā§āϰ āĻĻāĻŋāĻŦāϏ⧇ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻļāĻŋāĻ˛ā§āĻĒ⧇āϰ āϏāĻžāĻĨ⧇ āϜ⧜āĻŋāϤ āĻĨāĻžāĻ•āĻž āϏāĻ•āϞ āĻ•āĻ°ā§āĻŽāĻ•āĻ°ā§āϤāĻž,āĻ•āĻ°ā§āĻŽāϚāĻžāϰāĻŋ,āĻļā§āϰāĻŽāĻŋāĻ• āĻ­āĻžāχāĻŦā§‹āύāĻĻ⧇āϰ āĻ¸â€ā§āϝāĻžāϞ⧁āĻ• āϜāĻžāύāĻžāχ āϝāĻžāĻĻ⧇āϰ āĻ…āĻ•ā§āϞāĻžāĻ¨ā§āϤ āĻĒāϰāĻŋāĻļā§āϰāĻŽā§‡āχ āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύ āĻšāĻžāϜāĻžāϰ āĻšāĻžāϜāĻžāϰ āĻĒā§‹āĻļāĻžāĻ•/āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āĻŦāĻŋāĻļā§āĻŦāĻŦāĻžāϜāĻžāϰ⧇ āĻĒ⧌āĻ›āĻžā§ŸāĨ¤




#āĻŦāĻ¸ā§āĻ¤ā§āϰāĻĻāĻŋāĻŦāϏ

āĻĒā§āϞ⧇āύ āχāĻ¨ā§āϟāĻžāϰāϞāĻ• āĻĢ⧇āĻŦā§āϰāĻŋāĻ• (Plain Interlock Fabric G.S.M -280 Yarn 26/1 Carded ) āĻšāϞ⧋ āĻāĻ• āϧāϰāύ⧇āϰ āĻĄāĻžāĻŦāϞ-āύāĻŋāϟ āĻĢ⧇āĻŦā§āϰāĻŋāĻ•, āϝāĻž āĻĻ⧁āϟāĻŋ āϏ⧇āϞāĻž...
03/09/2025

āĻĒā§āϞ⧇āύ āχāĻ¨ā§āϟāĻžāϰāϞāĻ• āĻĢ⧇āĻŦā§āϰāĻŋāĻ• (Plain Interlock Fabric G.S.M -280 Yarn 26/1 Carded )
āĻšāϞ⧋ āĻāĻ• āϧāϰāύ⧇āϰ āĻĄāĻžāĻŦāϞ-āύāĻŋāϟ āĻĢ⧇āĻŦā§āϰāĻŋāĻ•, āϝāĻž āĻĻ⧁āϟāĻŋ āϏ⧇āϞāĻžāχāϝāĻŧ⧇āϰ āϏāĻžāϰāĻŋāϕ⧇ āĻāĻŽāύāĻ­āĻžāĻŦ⧇ āϏ⧇āϞāĻžāχ āĻ•āϰ⧇ āϤ⧈āϰāĻŋ āĻ•āϰāĻž āĻšāϝāĻŧ āϝ⧇ āĻĢ⧇āĻŦā§āϰāĻŋāϕ⧇āϰ āωāĻ­āϝāĻŧ āĻĻāĻŋāĻ• āĻĻ⧇āĻ–āϤ⧇ āĻāĻ•āχ āϰāĻ•āĻŽ āĻŽāύ⧇ āĻšāϝāĻŧāĨ¤
​āĻŦ⧈āĻļāĻŋāĻˇā§āĻŸā§āϝ:
​āĻĒ⧁āϰ⧁ āĻāĻŦāĻ‚ āĻŸā§‡āĻ•āϏāχ: āĻāϟāĻŋ āϏāĻŋāĻ™ā§āϗ⧇āϞ āϜāĻžāĻ°ā§āϏāĻŋāϰ āĻšā§‡āϝāĻŧ⧇ āĻĒ⧁āϰ⧁ āĻāĻŦāĻ‚ āφāϰāĻ“ āĻ¸ā§āĻĨāĻŋāϤāĻŋāĻļā§€āϞāĨ¤
​āĻŽāϏ⧃āĻŖ āĻāĻŦāĻ‚ āύāϰāĻŽ: āĻĢ⧇āĻŦā§āϰāĻŋāϕ⧇āϰ āωāĻ­āϝāĻŧ āĻĒāĻžāĻļ⧇āχ āĻŽāϏ⧃āĻŖ āĻāĻŦāĻ‚ āύāϰāĻŽ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋ āĻĻ⧇āϝāĻŧāĨ¤
​āĻ¸ā§āĻŸā§āϰ⧇āϚāĻŋ āĻāĻŦāĻ‚ āĻ¸ā§āĻĨāĻŋāϤāĻŋāĻ¸ā§āĻĨāĻžāĻĒāĻ•: āĻāϟāĻŋ āĻĒā§āϰāϏāĻžāϰāĻŋāϤ āĻšāϝāĻŧ āĻāĻŦāĻ‚ āϏāĻšāĻœā§‡āχ āϤāĻžāϰ āφāϏāϞ āφāĻ•ā§ƒāϤāĻŋāϤ⧇ āĻĢāĻŋāϰ⧇ āφāϏ⧇āĨ¤
​āϕ⧁āρāϚāϕ⧇ āϝāĻžāϝāĻŧ āύāĻž: āϏāĻŋāĻ™ā§āϗ⧇āϞ āϜāĻžāĻ°ā§āϏāĻŋāϰ āĻŽāϤ⧋ āĻāϟāĻŋ āϕ⧁āρāϚāϕ⧇ āϝāĻžāϝāĻŧ āύāĻžāĨ¤
​āĻŦāĻšā§āĻŽā§āĻ–ā§€ āĻŦā§āϝāĻŦāĻšāĻžāϰ: āĻāχ āĻĢā§āϝāĻžāĻŦā§āϰāĻŋāĻ• āϟāĻŋ-āĻļāĻžāĻ°ā§āϟ, āĻĒā§āϝāĻžāĻ¨ā§āϟ, āĻāĻŦāĻ‚ āĻ¸ā§āĻĒā§‹āĻ°ā§āϟāϏāĻ“āϝāĻŧā§āϝāĻžāϰ⧇āϰ āϜāĻ¨ā§āϝ āϖ⧁āĻŦ āωāĻĒāϝ⧋āĻ—ā§€āĨ¤

21/08/2025

āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āϏ⧇āĻ•ā§āϟāϰ⧇ Buying QA (Quality Assurance) āĻāĻ•āϟāĻŋ āϖ⧁āĻŦ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻĒāĻĻāĨ¤ āĻāĻ•āϜāύ Buying QA āĻŽā§‚āϞāϤ āĻŦāĻžāϝāĻŧāĻžāϰ⧇āϰ āĻĒāĻ•ā§āώ āĻĨ⧇āϕ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇āύ, āϝāĻžāϤ⧇ āĻ…āĻ°ā§āĻĄāĻžāϰāĻ•ā§ƒāϤ āĻĒā§‹āĻļāĻžāĻ• āύāĻŋāĻ°ā§āĻĻāĻŋāĻˇā§āϟ āĻŽāĻžāύ, āĻ¸ā§āĻĒ⧇āϏāĻŋāĻĢāĻŋāϕ⧇āĻļāύ āĻ“ āĻļāĻŋāĻĒāĻŽā§‡āĻ¨ā§āĻŸā§‡āϰ āϏāĻŽāϝāĻŧāϏ⧀āĻŽāĻž āĻ…āύ⧁āϝāĻžāϝāĻŧā§€ āϤ⧈āϰāĻŋ āĻšāϝāĻŧāĨ¤ āύāĻŋāĻšā§‡ āĻŦāĻŋāĻ¸ā§āϤāĻžāϰāĻŋāϤ āφāϞ⧋āϚāύāĻž āĻ•āϰāĻž āĻšāĻ˛ā§‹â€”

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🧑‍đŸ’ŧ Buying QA āϕ⧇?

Buying QA āĻšāϞ⧇āύ āĻŦāĻžāϝāĻŧāĻŋāĻ‚ āĻšāĻžāωāϏ āĻŦāĻž āĻĄāĻžāχāϰ⧇āĻ•ā§āϟ āĻŦāĻžāϝāĻŧāĻžāϰ⧇āϰ āĻĒā§āϰāϤāĻŋāύāĻŋāϧāĻŋ, āϝāĻŋāύāĻŋ āĻ•āĻžāϰāĻ–āĻžāύāĻžāϰ āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ, āϕ⧋āϝāĻŧāĻžāϞāĻŋāϟāĻŋ āĻ“ āĻĒā§āϰāϏ⧇āϏ āĻŽāύāĻŋāϟāϰ āĻ•āϰ⧇āύāĨ¤ āϤāĻŋāύāĻŋ āύāĻŋāĻļā§āϚāĻŋāϤ āĻ•āϰ⧇āύ āϝ⧇ āĻ•āĻžāϰāĻ–āĻžāύāĻž āĻŦāĻžāϝāĻŧāĻžāϰ⧇āϰ āϏāĻŦ āĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āĻĄāĻžāĻ°ā§āĻĄ (Fabric quality, Workmanship, Measurement, Lab test, Safety standard āχāĻ¤ā§āϝāĻžāĻĻāĻŋ) āĻ āĻŋāĻ•āĻ­āĻžāĻŦ⧇ āĻŽā§‡āύ⧇ āϚāϞāϛ⧇āĨ¤

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đŸ› ī¸ Buying QA āĻāϰ āĻŽā§‚āϞ āĻ•āĻžāϜ

Buying QA āĻāϰ āĻ•āĻžāϜāϗ⧁āϞ⧋āϕ⧇ āϧāĻžāĻĒ⧇ āϧāĻžāĻĒ⧇ āĻŦā§‹āĻāĻžāύ⧋ āĻšāĻ˛ā§‹â€”

1. Pre-Production (P.P) Stage

Fabric, trims, accessories, lab dip, print & embroidery approval āϝāĻžāϚāĻžāχāĨ¤

Pre-production meeting (P.P meeting) āĻ āĻ…āĻ‚āĻļāĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧇ production plan āĻ“ buyer standard āύāĻŋāĻļā§āϚāĻŋāϤ āĻ•āϰāĻžāĨ¤

Pilot run/Size set sample approve āĻ•āϰāĻžāĨ¤

2. Production Stage

Inline inspection – āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āϚāϞāĻžāĻ•āĻžāϞ⧀āύ āύāĻŋāĻ°ā§āĻĻāĻŋāĻˇā§āϟ āĻĒāϰāĻŋāĻŽāĻžāĻŖ āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āĻšā§‡āĻ• āĻ•āϰāĻžāĨ¤

Measurement check, workmanship defect (open seam, skip stitch, shade variation āχāĻ¤ā§āϝāĻžāĻĻāĻŋ) āϝāĻžāϚāĻžāχāĨ¤

In-line defect rate control āĻ•āϰāĻžāĨ¤

3. Final Inspection Stage

Bulk production āĻļ⧇āώ āĻšāϞ⧇ Final inspection āĻ•āϰāĻžāĨ¤

AQL (Acceptable Quality Level) āĻ…āύ⧁āϝāĻžāϝāĻŧā§€ sampling method āĻĢāϞ⧋ āĻ•āϰ⧇ āĻšā§‡āĻ•āĨ¤

Fabric defect, finishing defect, packing defect, labeling error āχāĻ¤ā§āϝāĻžāĻĻāĻŋ āϖ⧁āρāϟāĻŋāϝāĻŧ⧇ āĻĻ⧇āĻ–āĻžāĨ¤

āĻĢāĻžāχāύāĻžāϞ āϰāĻŋāĻĒā§‹āĻ°ā§āϟ āĻŦāĻžāϝāĻŧāĻžāϰāϕ⧇ āĻĒāĻžāĻ āĻžāύ⧋ – Pass / Fail decisionāĨ¤

4. Shipment Release

āϝāĻĻāĻŋ Final inspection pass āĻšāϝāĻŧ, āϤāĻŦ⧇ shipment release āĻ…āύ⧁āĻŽā§‹āĻĻāύ āĻĻ⧇āύāĨ¤

Fail āĻšāϞ⧇ āĻ•āĻžāϰāĻ–āĻžāύāĻžāϕ⧇ re-work āĻ•āϰāϤ⧇ āĻŦāϞ⧇āύāĨ¤

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📌 āωāĻĻāĻžāĻšāϰāĻŖ

āϧāϰ⧁āύ, H&M āĻŦāĻžāϝāĻŧāĻžāϰ āĻāĻ•āϟāĻŋ āĻ•āĻžāϰāĻ–āĻžāύāĻžāϝāĻŧ ā§Ģā§Ļ,ā§Ļā§Ļā§Ļ āĻĒāĻŋāϏ āϟāĻŋ-āĻļāĻžāĻ°ā§āϟ āĻ…āĻ°ā§āĻĄāĻžāϰ āĻĻāĻŋāϞ⧋āĨ¤

Buying QA āĻĒā§āϰāĻĨāĻŽā§‡ fabric test āĻ“ trims approval āĻšā§‡āĻ• āĻ•āϰāϞ⧇āύāĨ¤

P.P meeting-āĻ āĻ āĻŋāĻ• āĻšāϞ⧋ āϝ⧇ āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύ ā§Ģ,ā§Ļā§Ļā§Ļ āĻĒāĻŋāϏ āĻ‰ā§ŽāĻĒāĻžāĻĻāύ āĻšāĻŦ⧇āĨ¤

Inline inspection-āĻ āĻĻ⧇āĻ–āĻž āϗ⧇āϞ⧋ ā§Ž% stitching defect āφāϛ⧇ → QA āĻ•āĻžāϰāĻ–āĻžāύāĻžāϕ⧇ re-work āĻ•āϰāϤ⧇ āĻŦāϞāϞ⧇āύāĨ¤

Final inspection-āĻ defect AQL limit (2.5%) āĻāϰ āĻŽāĻ§ā§āϝ⧇ āĻĨāĻžāĻ•āĻžāϝāĻŧ shipment pass āĻ•āϰāϞ⧇āύāĨ¤

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👔 Buying QA āĻāϰ āύāĻŋāϝāĻŧā§‹āĻ— āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻž

Buying QA āĻĒāĻĻ⧇ āύāĻŋāϝāĻŧā§‹āĻ— āϏāĻžāϧāĻžāϰāĻŖāϤ āĻŦāĻžāϝāĻŧāĻŋāĻ‚ āĻšāĻžāωāϏ, āϞāĻžāχāϏ⧇āĻ¨ā§āϏāĻĄ āϞāĻŋāϝāĻŧāĻžāĻœā§‹āρ āĻ…āĻĢāĻŋāϏ āĻ…āĻĨāĻŦāĻž āĻŦā§āĻ°ā§āϝāĻžāĻ¨ā§āĻĄ āĻ…āĻĢāĻŋāϏ āĻĨ⧇āϕ⧇ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻžāϟāĻŋ āϏāĻžāϧāĻžāϰāĻŖāϤāĻƒâ€”

1. Educational Qualification

Textile Engineering / Apparel Manufacturing / Industrial Engineering / B.Sc. in Fashion Technology āĻŦāĻž āϝ⧇āϕ⧋āύ⧋ āĻĒā§āϰāĻžāϏāĻ™ā§āĻ—āĻŋāĻ• āĻŦāĻŋāώāϝāĻŧ⧇ āĻĄāĻŋāĻ—ā§āϰāĻŋāĨ¤

āϤāĻŦ⧇ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž āĻĨāĻžāĻ•āϞ⧇ āĻĄāĻŋāĻĒā§āϞ⧋āĻŽāĻž āĻŦāĻž āϏāĻžāϧāĻžāϰāĻŖ āĻ—ā§āϰāĻžāϜ⧁āϝāĻŧ⧇āĻļāύ āĻĨ⧇āϕ⧇āĻ“ āϏ⧁āϝ⧋āĻ— āĻĒāĻžāĻ“āϝāĻŧāĻž āϝāĻžāϝāĻŧāĨ¤

2. Experience Requirement

āϏāĻžāϧāĻžāϰāĻŖāϤ ā§Šâ€“ā§Ģ āĻŦāĻ›āϰ⧇āϰ āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āϕ⧋āϝāĻŧāĻžāϞāĻŋāϟāĻŋ āĻ•āĻ¨ā§āĻŸā§āϰ⧋āϞ āĻŦāĻž QA/QC āĻ•āĻžāĻœā§‡āϰ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž āϞāĻžāϗ⧇āĨ¤

Sewing, Finishing, Quality Standard (AQL, ISO, ASTM, ITS, SGS āχāĻ¤ā§āϝāĻžāĻĻāĻŋ) āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āĻœā§āĻžāĻžāύ āĻĨāĻžāĻ•āϤ⧇ āĻšāĻŦ⧇āĨ¤

3. Recruitment Steps

1. Job Circular āĻĒā§āϰāĻ•āĻžāĻļ (LinkedIn, BDJobs, Company website āχāĻ¤ā§āϝāĻžāĻĻāĻŋāϤ⧇)āĨ¤

2. CV Shortlisting – Textile background āĻ“ QA experience āĻĻ⧇āϖ⧇āĨ¤

3. Written Test / Practical Test – Defect identification, AQL calculation, Report writingāĨ¤

4. Viva Interview – Communication skill, Buyer standard knowledge, Factory handling skill āϝāĻžāϚāĻžāχāĨ¤

5. Final Selection & AppointmentāĨ¤

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✅ āϏāĻ‚āĻ•ā§āώ⧇āĻĒ⧇ – Buying QA āĻŦāĻžāϝāĻŧāĻžāϰ⧇āϰ āĻĒā§āϰāϤāĻŋāύāĻŋāϧāĻŋ, āϝāĻŋāύāĻŋ āĻ•āĻžāϰāĻ–āĻžāύāĻžāϰ āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻžāϝāĻŧ Quality Standard āύāĻŋāĻļā§āϚāĻŋāϤ āĻ•āϰ⧇āύāĨ¤ Pre-production āĻĨ⧇āϕ⧇ Final shipment āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āϤāĻŋāύāĻŋ quality monitor āĻ•āϰ⧇āύāĨ¤

Ambassador Jacobson visited Ha-Meem Group, a major supplier to the U.S. garment sector, and discussed increasing the qua...
13/04/2025

Ambassador Jacobson visited Ha-Meem Group, a major supplier to the U.S. garment sector, and discussed increasing the quantity of consistent, high-quality U.S. cotton.

17/03/2025

āĻļā§āϰāĻŽāĻŋāĻ•āĻĻ⧇āϰ āĻŦ⧇āϤāύ-āĻŦā§‹āύāĻžāϏ ⧍ā§Ļ āϰāĻŽāϜāĻžāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻĒāϰāĻŋāĻļā§‹āϧ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤

19/02/2025

āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ⧇āϰ āϏāĻžāχāĻĄ āϏ⧇āϟ āĻ¸ā§āϝāĻžāĻŽā§āĻĒāϞ āĻŦāϞāϤ⧇ āĻŦā§‹āĻāĻžāϝāĻŧ āϏāĻžāχāĻĄ āϏ⧇āϞāĻžāχ āϏāĻŽā§āĻĒāĻ¨ā§āύ āĻāĻ•āϟāĻŋ āύāĻŽā§āύāĻž (sample), āϝāĻž āĻŽā§‡āχāύ āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ⧇āϰ āφāϗ⧇ āĻĒā§āϰāĻ¸ā§āϤ⧁āϤ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āĻāϟāĻŋ āϏāĻžāϧāĻžāϰāĻŖāϤ āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āϟāĻŋāĻŽ, āĻ•āĻŋāωāϏāĻŋ (QC), āĻāĻŦāĻ‚ āĻŦāĻžāχāϰ⧇āϰ āĻ•ā§āϰ⧇āϤāĻž (buyer) āĻšā§‚āĻĄāĻŧāĻžāĻ¨ā§āϤ āĻ…āύ⧁āĻŽā§‹āĻĻāύ⧇āϰ āϜāĻ¨ā§āϝ āĻĻ⧇āϖ⧇ āĻĨāĻžāϕ⧇āύāĨ¤

āϏāĻžāχāĻĄ āϏ⧇āϟ āĻ¸ā§āϝāĻžāĻŽā§āĻĒāϞ⧇āϰ āϗ⧁āϰ⧁āĻ¤ā§āĻŦ:

1. āϏāĻ āĻŋāĻ• āĻĢāĻŋāϟ āĻ“ āĻŽāĻžāĻĒ āϝāĻžāϚāĻžāχ:

āϏāĻžāχāĻĄ āϏ⧇āϟ āĻ¸ā§āϝāĻžāĻŽā§āĻĒāϞ āϤ⧈āϰāĻŋ āĻ•āϰ⧇ āĻĻ⧇āĻ–āĻž āĻšāϝāĻŧ āĻĒā§‹āĻļāĻžāϕ⧇āϰ āĻĢāĻŋāϟ āĻ“ āĻŽāĻžāĻĒ āϏāĻ āĻŋāĻ• āĻšāϝāĻŧ⧇āϛ⧇ āĻ•āĻŋ āύāĻžāĨ¤

2. āϏ⧇āϞāĻžāχ āĻ¸ā§āĻŸā§āϰ⧇āĻ¨ā§āĻĨ āĻ“ āĻ¸ā§āϟāĻŋāϚ āϕ⧋āϝāĻŧāĻžāϞāĻŋāϟāĻŋ āĻšā§‡āĻ•:

āϏ⧇āϞāĻžāχāϝāĻŧ⧇āϰ āϧāϰāύ (Single Needle, Overlock, Flatlock āχāĻ¤ā§āϝāĻžāĻĻāĻŋ) āĻāĻŦāĻ‚ āĻŸā§‡āύāĻļāύ āĻ āĻŋāĻ• āφāϛ⧇ āĻ•āĻŋ āύāĻž āϤāĻž āϝāĻžāϚāĻžāχ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤

3. āĻĒā§āϝāĻžāύ⧇āϞ āĻ…ā§āϝāĻžāϞāĻžāχāύāĻŽā§‡āĻ¨ā§āϟ āĻĒāϰ⧀āĻ•ā§āώāĻž:

āϏāĻžāĻŽāύ⧇āϰ āĻāĻŦāĻ‚ āĻĒ⧇āĻ›āύ⧇āϰ āĻ…āĻ‚āĻļ āϏāĻ āĻŋāĻ•āĻ­āĻžāĻŦ⧇ āĻŽāĻŋāϞ⧇ āϗ⧇āϛ⧇ āĻ•āĻŋāύāĻž āϤāĻž āύāĻŋāĻļā§āϚāĻŋāϤ āĻ•āϰāĻž āĻšāϝāĻŧ, āϝāĻžāϤ⧇ āϟ⧁āχāĻ¸ā§āϟāĻŋāĻ‚ āĻŦāĻž āĻ¸ā§āĻ•āĻŋāω āϏāĻŽāĻ¸ā§āϝāĻž āύāĻž āĻĨāĻžāϕ⧇āĨ¤

4. āĻ•ā§āϰ⧇āϤāĻžāϰ āĻ…āύ⧁āĻŽā§‹āĻĻāύ:

āĻ…āύ⧇āĻ• āϏāĻŽāϝāĻŧ āĻ•ā§āϰ⧇āϤāĻžāϰāĻž (buyers) āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āĻļ⧁āϰ⧁ āĻ•āϰāĻžāϰ āφāϗ⧇ āϏāĻžāχāĻĄ āϏ⧇āĻŸā§‡āϰ āĻ¸ā§āϝāĻžāĻŽā§āĻĒāϞ āĻĻ⧇āϖ⧇ āĻ…āύ⧁āĻŽā§‹āĻĻāύ āĻĻ⧇āύāĨ¤

5. āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āĻ—āĻžāχāĻĄāϞāĻžāχāύ āϏ⧇āϟ āĻ•āϰāĻž:

āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āϟāĻŋāĻŽ āĻāχ āĻ¸ā§āϝāĻžāĻŽā§āĻĒāϞ āĻĻ⧇āϖ⧇ āĻŦ⧁āĻāϤ⧇ āĻĒāĻžāϰ⧇ āϕ⧀āĻ­āĻžāĻŦ⧇ āϏāĻžāχāĻĄ āϏ⧇āϟ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇, āϝāĻžāϤ⧇ āĻĒā§āϰāϤāĻŋāϟāĻŋ āχāωāύāĻŋāϟ āĻāĻ•āχ āĻŽāĻžāύāϏāĻŽā§āĻĒāĻ¨ā§āύ āĻšāϝāĻŧāĨ¤

6. āϏāĻŽā§āĻ­āĻžāĻŦā§āϝ āϭ⧁āϞ āĻļāύāĻžāĻ•ā§āϤāĻ•āϰāĻŖ:

āϝāĻĻāĻŋ āĻ•āĻžāϟāĻŋāĻ‚, āϏ⧇āϞāĻžāχ, āĻŦāĻž āĻŽā§‡āĻļāĻŋāύ āϏ⧇āϟāφāĻĒ⧇ āϕ⧋āύ⧋ āϭ⧁āϞ āĻĨāĻžāϕ⧇, āϤāĻžāĻšāϞ⧇ āĻ¸ā§āϝāĻžāĻŽā§āĻĒāϞ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āϤāĻž āφāϗ⧇āχ āϧāϰāĻž āϝāĻžāϝāĻŧ āĻāĻŦāĻ‚ āϏāĻŽāĻžāϧāĻžāύ āĻ•āϰāĻž āϝāĻžāϝāĻŧāĨ¤

7. āϗ⧁āĻŖāĻ—āϤ āĻŽāĻžāύ āĻŦāϜāĻžāϝāĻŧ āϰāĻžāĻ–āĻž:

āϏāĻžāχāĻĄ āϏ⧇āĻŸā§‡āϰ āĻ¸ā§āϝāĻžāĻŽā§āĻĒāϞ āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āϞāĻžāχāύ⧇āϰ āĻ…āĻĒāĻžāϰ⧇āϟāϰāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āĻĄāĻžāĻ°ā§āĻĄ āϰ⧇āĻĢāĻžāϰ⧇āĻ¨ā§āϏ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇, āϝāĻž āϕ⧋āϝāĻŧāĻžāϞāĻŋāϟāĻŋ āĻ•āĻ¨ā§āĻŸā§āϰ⧋āϞ āύāĻŋāĻļā§āϚāĻŋāϤ āĻ•āϰ⧇āĨ¤

āϏāĻžāχāĻĄ āϏ⧇āϟ āĻ¸ā§āϝāĻžāĻŽā§āĻĒāϞ āĻšā§‡āĻ•āϞāĻŋāĻ¸ā§āϟ:

✔ āϏāĻ āĻŋāĻ• āϏāĻžāχāϜ āĻ“ āĻĢāĻŋāϟ
✔ āϏ⧇āϞāĻžāχāϝāĻŧ⧇āϰ āϧāϰāύ āĻ“ āĻŸā§‡āύāĻļāύ āĻ āĻŋāĻ• āφāϛ⧇ āĻ•āĻŋ āύāĻž
✔ āĻĒā§āϝāĻžāύ⧇āϞ āĻ…ā§āϝāĻžāϞāĻžāχāύāĻŽā§‡āĻ¨ā§āϟ (Twisting, Skew Issue) āĻšā§‡āĻ• āĻ•āϰāĻž
✔ āϏ⧇āϞāĻžāĻ‡ā§Ÿā§‡āϰ āĻļāĻ•ā§āϤāĻŋ (Seam Strength) āĻĒāϰ⧀āĻ•ā§āώāĻž āĻ•āϰāĻž
✔ āϏāĻ āĻŋāĻ• āϏ⧁āϤāĻž āĻ“ āϏ⧇āϞāĻžāχ āĻ¸ā§āϟāĻžāχāϞ āύāĻŋāĻļā§āϚāĻŋāϤ āĻ•āϰāĻž

āϏāĻžāχāĻĄ āϏ⧇āϟ āĻ¸ā§āϝāĻžāĻŽā§āĻĒāϞ āĻ­āĻžāϞ⧋ āĻšāϞ⧇ āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āϏāĻ āĻŋāĻ•āĻ­āĻžāĻŦ⧇ āĻĒāϰāĻŋāϚāĻžāϞāĻŋāϤ āĻšā§Ÿ, āϰāĻŋāĻ“āϝāĻŧāĻžāĻ°ā§āĻ• āĻ•āĻŽā§‡, āĻāĻŦāĻ‚ āϗ⧁āĻŖāĻ—āϤ āĻŽāĻžāύ āĻŦāϜāĻžāϝāĻŧ āĻĨāĻžāϕ⧇, āϝāĻž āĻ•ā§āϰ⧇āϤāĻžāϰ āϏāĻ¨ā§āϤ⧁āĻˇā§āϟāĻŋ āύāĻŋāĻļā§āϚāĻŋāϤ āĻ•āϰ⧇āĨ¤

Identification of Different Types of Knit Fabric Take a look at a few common types of knit fabrics to understand their a...
13/02/2025

Identification of Different Types of Knit Fabric

Take a look at a few common types of knit fabrics to understand their appearance, texture, stretch & recovery and other characteristics. Knitted fabrics are produced by two general methods - warp knitting & weft knitting, and each method produces a variety of types of knit fabrics.

1. Plain S/J Fabric: S/J fabric has fine lines/wale lines (legs of knitted loop) on the top, while the other side has rough netlike mesh (heads of knitted loop). Generally, these fabrics are in the GSM range of 140-220.

2. Lycra S/J Fabric: Similar to regular S/J but with added stretch and better recovery due to Lycra, it has high elasticity in both directions. It has a high curling tendency at the edges. Generally, these fabrics are in the GSM range of 180-240.

3. Rib: There are vertical long stripes (ribs) on both sides, both sides look similar and have excellent elasticity, both ways. There are different types of rib fabric such as 1x1 Rib, 2x1 Rib, 2x2 Rib etc.

4. Lycra Rib: Similar to normal rib with added Lycra for improved elasticity and recovery, it has higher stretch and better shape retention properties. Lycra rib can be several types, for example, 1x1 L/Rib, 2x2 L/Rib, 2x1 L/Rib etc. It has high curling tendency at the edges. Generally, these fabrics are in the GSM range of 240-440.

5. Terry Fabric: Top side plain & smooth looks like top of the s/j fabric and back side has loops looks like towel. Terry is a type of single jersey fabric. Generally, these fabrics are in the GSM range of 240-340.

6. Lycra Terry: Similar to normal terry, if pull the fabric in multiple directions; it should stretch significantly and return to shape quickly. Top side is plain & smooth and back side has soft small loops. It has high curling tendency at the edges. Generally, these fabrics are in the GSM range of 220-280.

7. Fleece (One Sided Brush): Top side is like plain s/j fabric and in side is brushed, fluffy surface. It has limited stretchability. Generally, these fabrics are in the GSM range of 260-340.

8. Interlock Fabric: Identical on both sides, smooth and dense, little stretch in both directions, thicker, more stable compared to jersey. It has no curling at the edges. Generally, these fabrics are in the GSM range of 200-340.

9. Pique/Lacoste Fabric: The top side has textured pattern (Diamond/Honey comb/Bird’s Eye) and the inside is plain. If the diamond-like shape is small, it is called single lacoste and if the shape is large, it is called double lacoste fabric. Generally, these fabrics are in the GSM range of 180-300.

10. Pointal Rib: Pointelle Knit Fabric is a delicate and decorative type of knit fabric featuring small, openwork patterns such as holes, eyelets, or lace-like designs. It has moderate to high stretchability.

11. Waffle Fabric: Raised square or diamond-shaped textured pattern resembling a waffle grid, it provides a unique, stylish look with added breathability. It has moderate stretch depending on the knit structure and fiber composition, blended versions (e.g., with spandex) improve elasticity. Generally, these fabrics are in the GSM range of 220-400.

12. Ottoman Rib: Ottoman Rib Fabric is a type of knit fabric characterized by its distinct horizontal ribbed texture, created using a specialized knitting technique that forms raised, closely spaced ribs across the surface. Generally, these fabrics are in the GSM range of 200-350.

13. Polar Fleece: The fabric that is brushed on both sides is called polar fleece fabric. While knitting this fabric, there are loops on both sides and it is brushed on both sides in the brushing machine. These fabrics are of much higher GSM of 300-500.

14. Seersucker L/S/J Fabric: The fabric features a distinctive wrinkled or crinkled surface, usually in stripes or patterns, achieved through differential tension in the knitting process. Due to the presence of Lycra (spandex), the fabric has excellent elasticity, providing comfort and freedom of movement. Generally, these fabrics are in the GSM range of 180-250.

15. Slub Fabric: Slub fabric is characterized by its irregular thick and thin places along the fabric width, created by using slub yarns which have intentional variations in thickness. Slub fabrics can be made from various fibers such as cotton, polyester, linen, rayon or blends. Shrinkage & spirality of these fabrics are very high.

16. Yarn Dyed Fabric: The fabric which as the same color stripes on both top & back sides is called yarn dyed fabric, it could be s/j, interlock, rib, terry/fleece, made by using different color yarns with Engineering stripe or Feeder stripe technology.

17. Grey Melange Fabric: If fabric is made with white and grey color then it is called Grey Melange fabric. It is basically a blended fabric of cotton and viscose. There are fabrics with different structure like s/j, terry/fleece or rib with 1%, 2%, 5%. 10%, 30% Grey Melange effect.

18. Mesh Fabric: Mesh fabric is a lightweight, open structured fabric characterized by a net-like appearance with evenly spaced holes or pores. It is commonly made from synthetic fibers like polyester, nylon or spandex blends, offering breathability and durability, moisture management and air circulation widely used in sportswear, industrial applications and decorative purposes. Mesh like fabric is made with tricot or raschel knits.

19. Tricot Knit Fabric: These are made almost exclusively from filament yarns because uniform diameter and high quality are essential yarn characteristics for use with the very high-speed tricot knitting machines. The top surface of the fabric has clearly defined vertical wales and back surface has crosswise courses.

20. Raschel Knit Fabric: Raschel knits are produced from spun or filament yarns of different weights and types. Most raschel knits can be identified by their intricate designs, the open-space look of crochet or lace, and an almost 3-D surface effect design.

21. Jacquard Knit: These are single jersey fabrics made from circular knitting machines using Jacquard mechanism. They are produced with interesting patterns, which may have any of the following: combinations of stitches, combination of yarn types in terms of color textures.

22. Cable Knit Fabric: Cable knit fabric is a double knit fabric made by the special loop transfer technique. The wales in the fabric have a rope-like an appearance, where plait are based on the transfer of loops with adjacent wales. The fabric has an interesting surface texture like braids as the loops cross each other.


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09/02/2025

Assalamualikum to everyone

Stander machine
27/01/2025

Stander machine

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