Weavers Studio

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Weavers Studio Shop at - https://weaversstudio.in/shop Our designs not only cater to the Indian markets but also to International markets. We hope to continue doing more good.

A bridge between the ancient arts and connoisseurs of rich textiles, at Weaver's Studio we truly believe in - using as many hands as possible to create garments worth treasuring for years to come! Having been in the field of textiles since the past 22 years, Weavers Studio, founded by Mrs Darshan Shah, has established its position by setting up hand-block printing, hand weaving, hand embroidery, value addition and tailoring units in the vicinity of Kolkata, employing 250 plus crafts persons directly and many more indirectly, to produce authentic, intricate and traditional Indian textiles. We try to find that delicate balance between vibrant Indian designs and western/contemporary silhouettes. The designs that come out of our studio are a fresh outlook on traditional wear, lending it an easy grace and elegance while maintaining cuts that don’t overwhelm the wearer. We host a diverse range of Indian craftsmanship with our pieces sporting everything from Kantha work to Shibori and Jamdani. Today, besides epitomizing ancient Indian weaving techniques, we also want to apex weaving India’s rich art & culture onto one platform. Our three production units, Rangeen, together employ close to a 100 craftspeople producing approximately 700 meters of hand dyed, hand painted, hand block printed and tie dye cloth a day and another 500 craftspeople are employed for weaving, embroideries, surface decorations and tailoring. In addition to catering to the needs of our nationwide clientele for the last 22 years, we have been exporting through our export division "Veda Commercial Pvt. Ltd" under the brand name "Weavers Studio", having a strong international presence, in Japan, Europe and Australia for the last 19 years. We have worked on international films as well. We have a design repertoire consisting of more than 1,00,000 wooden blocks, 1000 plus screens, 2500 textile and fashion reference books, magazines and journals on textiles, fashion, 850 old and rare textiles from India and abroad and a R & D team that has worked on topics as varied as Trade Textiles, Ocean Trade, Woven Cargoes, Khadi, Jamdani Indigo Dyeing in Africa, Vietnam, India, China, Thailand Japan and many others. Workshops are held at regular intervals for exchanging views and evolving new ideas at our Textile Resource Centre. This also helps to nurture awareness for textile design. It also conducts extensive studies in natural dyes, especially Indigo and research of trade textiles, their history and reproduction for revival and contemporary usage. The experience, textual knowledge and collectables that the studio has gained in the field of textiles over the years is presented in the library for the benefit of its employees, diploma project and design school students from fashion and design institutes like NIFT, INIFD, NID and Wigan & Leigh. They are encouraged to do their training, internship and diploma projects with this infrastructural support. Weaver’s Studio truly is attempting in every way to maintain India’s rich heritage in craftsmanship by collaborating it with modern techniques and in doing so we hope to create a niche of our own, one you keep returning to. Also, Mrs Darshan Shah has always believed in promoting the arts, in any form; performing and non-performing arts, such as music, dance, paintings, sculptures, theatre and movies. One of her efforts is Weavers Studio Centre for the Arts. It looks to garden talent and nurture creativity. We have a space in Kolkata, India that gives upcoming and established artists a space to perform/display their work. Another initiative is Weavers Studio Resource Centre. We have adopted a cluster of 9 villages in Bhangore 1 area of South 24 Paraganas with a vision of providing basic healthcare, sanitation, education & employment to the 4500 plus residents. So far, more than 1800 people have been medically assessed, treated for various ailments and given free medicines, 40 cataract surgeries done & more than 400 spectacles have been distributed at 7 general camps and free eye checkup was conducted at 13 primary schools for 1600 students.

Unpublished letter. Collection of Rabindra Bhavana Archive.This is a letter from Surendranath Kar, sculptor and architec...
30/09/2026

Unpublished letter. Collection of Rabindra Bhavana Archive.

This is a letter from Surendranath Kar, sculptor and architect, sent to Pratima Tagore from Surakarta in mid-September 1927, two months into Rabindranath Tagore's journey across Southeast Asia.

Pratima wasn't on that journey. Years earlier, she had travelled to Europe with Rabindranath and Rathindranath Tagore. In Paris she studied art with Andrée Karpelès and learned batik from a French artist identified as "Mon. Mieux", a European reworking of a technique rooted in Java. She brought it home, and batik became part of the work of Vichitra; it was in Santiniketan that Kar first encountered it. The Paris method did not become popular at the time, its formal complexity too demanding to sustain.

So when Kar reached Java with Rabindranath, batik was already familiar to him. What Java offered was the source itself. While he was there, the court sent him home with a length of batik. Writing to Pratima from Surakarta, eight days on from Bali and Surabaya, he describes a city thick with dust and motor traffic, a private house lent by a former royal now in the sugar trade, stone idols among old Hindu-Javanese ruins. Then a welcome he hadn't expected: a pavilion of white stone and gilded pillars, gamelan in the air.

What holds him longest is the court dance: the stillness held in discipline, and adornment. Two years later, that stillness would surface again in the choreography of Rabindra Nritya Natya.

Nearly a century on, the letter still carries the wonder of it.

Voiceover by

Discover more such stories at the Exhibition 'Sarong to Sari'

Thursday, 21 January to Wednesday, 31 March 2027
at Kolkata Centre for Creativity, Kolkata, India.

Saturday, 24 January to Sunday, 4 April 2027
at Arthshila, Santiniketan, India.

Monday, 25 January to Friday, 26 February 2027
at Visva-Bharati, Santiniketan, India.

24/09/2026

Thigma comes from Ladakh, where it is practised mainly in the Nubra Valley and Saboo. The name comes from thitoo, the local word for a dot.
In this video, our textile designer Prerona walks through the process. Small sections of woolen cloth are pinched and bound tightly with thread before the cloth goes into the dye. When the ties are opened, the bound areas are left undyed. Each one opens into a pale circle, often with a cross at its centre where the folds held the colour.
The team tried the technique on two grounds, wool and tussar, to see how each cloth takes the colour and how the binding holds on each. Alongside the samples, they studied an archival robe from Ladakh in our collection.
The archive shows us what has been done. The atelier is where we find out what else it can do.

Behind every stitch was a set of instructions on how to be a good wife, a good mother, a proper subject of empire. In ou...
23/09/2026

Behind every stitch was a set of instructions on how to be a good wife, a good mother, a proper subject of empire. In our latest blog, Sumit K. Ghosh traces the history of needlework manuals in colonial Bengal and what they reveal about gender, market, and modernity. Read Part I and Part II, link in bio.

Image 1: Local machinery for Western apparel, source: Tasveer Ghar

Image2 : A poster depicting an ideal post-1947 mother who makes modern-fitted clothing for her children, source: Tasveer Ghar

22/09/2026

In 1927, Rabindranath Tagore travelled to Java. He returned with more than memory. He brought back batik, a technique he had watched artists practise on the island, and carried it home to Santiniketan.
This archival reel holds what came after. Artists in Santiniketan bent over wax and cloth, learning a language of resist and dye that had begun elsewhere. Across the sea, in Indonesia, others were shaping the same technique into their own inheritance. Two places, two histories, the same textile craft moving between them.
A hundred years later, Sarong to Sari returns to that crossing. It asks what a technique remembers of where it began, and what it becomes once it belongs somewhere new.

Exhibition | Sarong to Sari

Thursday, 21 January to Wednesday, 31 March 2027
at Kolkata Centre for Creativity, Kolkata, India

Saturday, 24 January to Sunday, 4 April 2027
at Arthshila, Santiniketan, India.

Monday, 25 January to Friday, 26 February 2027
at Nandan Museum, Visva-Bharati, Santiniketan, India.

Credits:
Images courtesy of Rabindra-Bhavana Archive
Archival Film Excerpt | Shantiniketan: Abode of Peace (1949)
Producer: M. (Mohan) Bhavnani
Co-Directors: A. P. Sinha & K. N. Samarth
Production: Films Division, Government of India

Excerpt shared for research and educational purposes.

Every craft at Weavers Studio depends on a tool before it depends on a technique: the pit loom, the wooden block, the ba...
18/09/2026

Every craft at Weavers Studio depends on a tool before it depends on a technique: the pit loom, the wooden block, the bamboo shuttle, the needle passed down through a family of embroiderers.
Today these are cleaned, garlanded and set aside from work, in a practice older than most of the textiles they have made possible.
We think of the makers in our own network today and the tools that have shaped their hands as much as their hands have shaped the tools.
Vishwakarma Puja, observed today.

16/09/2026

The story behind the story.
Darshan on the idea driving the exhibition, and why this exhibition needed telling now.

Exhibition 'Sarong to Sari' celebrates 100 years of Tagore's Batik Legacy from Java to Santiniketan.

at three venues:

Thursday, 21 January to Wednesday, 31 March 2027
at Kolkata Centre for Creativity, Kolkata, India

Saturday, 24 January to Sunday, 4 April 2027
at Arthshila, Santiniketan, India.

Monday, 25 January to Friday, 26 February 2027
at Nandan Museum, Visva-Bharati, Santiniketan, India.

Textile on Display: Batik Sari, made by Pijush Bandyopadhyaya, 1970, Santiniketan, On Loan from the Family of Late Pijush Bandyopadhyaya

Words that mean a world to us, from you. We are always excited to dress our wearers in unique ways and experience the jo...
13/09/2026

Words that mean a world to us, from you. We are always excited to dress our wearers in unique ways and experience the joy of handmade.
To everyone who has trusted us with a piece of clothing, a story, or an occasion – thank you.

Every patch was once something else. A border, a pallu, an offcut piece set aside years ago. Patchwork at Weavers Studio...
11/09/2026

Every patch was once something else. A border, a pallu, an offcut piece set aside years ago. Patchwork at Weavers Studio gathers these fragments and gives them a second life, stitched square by square into pattern.
Make these unique pieces yours. Now on SALE.
Up to 50% off across categories.
9th – 14th September, 2026 (Wednesday – Monday)
For a virtual appointment, reach out to us on WhatsApp +91 98311 59080.

Looking back at an evening spent in the textile world of Santiniketan. Batik, Kantha, Khesh, and everything in between. ...
10/09/2026

Looking back at an evening spent in the textile world of Santiniketan. Batik, Kantha, Khesh, and everything in between. Dr. Vishal Bhand Vishal Bhand took us through how these traditions keep finding new life through design and sustainability.
Thank you to everyone who joined us for this intimate and insightful session, and to Dr. Bhand for sharing his deep knowledge of this craft ecosystem. 🤍

05/09/2026

Plan your festive looks with Weavers Studio. Our annual sale is around the corner, with up to 50% off across garments, yardage, and festive favourites.

Storewide Sale
Up to 50% Off
Wednesday, 9 September to Monday, 14 September 2026

Address

5/1 Anil Moitra Road, 1st Floor
Kolkata

Opening Hours

Monday 10am - 6:30pm
Tuesday 10am - 6:30pm
Wednesday 10am - 6:30pm
Thursday 10am - 6:30pm
Friday 10am - 6:30pm
Saturday 10am - 6:30pm
Sunday 10am - 6:30pm

Telephone

+919831159080

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