Yassmin Saleh

18/10/2026

🥀kentili - كنتلي 🥀yours at midnight

zeyne | زين and M a n a l منال ✨🌙⚡️ looking stunning in the Fade dress from SS26

styling nadine
assistant stylist TUDART ⵜⵓⴷⴰⵔⵜ
hair styling Youssef nour
set designer Hiba loukili
visual production NOIRE VISION
photographer Hamza Rochdi 🇲🇦
assistant photographer Ihssane

13/10/2026

YASSMIN SALEH comes to Dubai.

, Alserkal Avenue, Warehouse 37
22–24 October · 12pm – 8pm
25 October · 12pm – 2pm
Our invitation was created by the artist .ajami : fragments, layers, things held together by hand. It’s the language of our house, in paper.
Discover Pre-Fall 26 and our evening pieces, and pre-order Spring-Summer 2027. Book a one-on-one styling appointment with Yassmin. Appointments are limited.

DM “STYLING” to book yours.

11/10/2026

Pre-Fall26, Drop 2. Now online.

Nadine wears the Drift top and skirt, Coco wears the Sheerline dress.

Photographer: Luana Bassil
Art director: leacasini
MUA: Hawraa Al-Dakak Sharbel Hasbany
Hair: WS Hairdresser

Pleats and ruffle swirls.

Photographer: Gina Kazzi Photographer | Beirut, Lebanon LB LOCAL VICE MGMT
Model: N E L L I 🍑 📸 Velvet Model Management

Swirl dress. Ruffles that curl like an unfinished thought.



Arch top. The ruffle, up close.

Photographer: Gina Kazzi Photographer | Beirut, Lebanon LB LOCAL VICE MGMT
Model: N E L L I 🍑 📸 Velvet Model Management

Arch set, worn together.

Photographer: Gina Kazzi Photographer | Beirut, Lebanon LB LOCAL VICE MGMT
Model: N E L L I 🍑 📸 Velvet Model Management

Drift set, in movement. Styled with the spiral brooch.

06/10/2026

She paused, and something stayed behind.

A note in a pocket. A word on the back of a collar. The weight of a hem after the movement has passed.

SS27 - The In Between

A collection about what remains after the moment.

Presented in Paris, online in February.

29/09/2026

This collection began with the smallest, most fleeting moments.

A thread getting caught on your top.
Eyeshadow falling across your face and shoulders like droplets.
An earring getting tangled in your hair.
The sound a garment makes as you walk.
A sleeve pushed up and left there.
I kept thinking about the micro-events that happen around clothing. The ones we barely register, and yet somehow carry with us.
The in-betweens.
A trace, a gesture, a small accident.
Seen through glass, caught mid-turn, between action and pause.
The tiny things that seem insignificant, but become part of how a moment is felt and remembered.

A first glimpse of The In Between, Spring Summer 2027.
Presented in Paris from October 1st.

Photographer: Aly Saab
Art director: leacasini
MUA: Sharbel Hasbany
Model: manimarammarammani

16/09/2026

14/09/2026

Nadine wears the 'Pillar' gown from the pre-fall collection.

Photography Luana Bassil
Art Direction leacasini
Hair WS Hairdresser
MUA Hawraa Al-Dakak Sharbel Hasbany

07/09/2026

There is a particular intimacy in watching your mother get dressed. As children, we linger around her bedroom, sit on the bed, watch her choose what to wear, do her hair, put on her jewellery. These ordinary moments become part of our earliest understanding of femininity, almost without us noticing. And maybe it’s through these small, everyday things that we also begin to understand what a woman brings into a home.

There is a saying in Lebanon, “el beit beit el-mara”, a man may build the house, but a woman makes it a home. She creates the feeling of comfort and care, sets the tone and energy of the home, and leaves behind so many of the memories that shape our sense of belonging. In so many ways, she is the one who gives a home its identity.

And yet, in Lebanon, a woman still can’t pass down her citizenship to her children in the same way a man can.

Nadine and Naji for the Pre-Fall26’ campaign.

Photography Luana Bassil
Art Direction leacasini
Hair WS Hairdresser
MUA Hawraa Al-Dakak Sharbel Hasbany

01/09/2026

This is the most humbling act of giving there is, after giving life itself. There is nothing like having your child look at you while they receive this vital mixture of ingredients created by your own tiny body. It is the most beautiful, most intimate moment, yet somehow also the most public one.

‘Do you want to breastfeed? Why don’t you breastfeed? Is your milk enough? Are you eating enough to nourish your child? Why do you want to stop? It’s only a year!’

I’m not sure people are aware of the physical toll it takes on a woman to feed her child, the fact that you can’t be away for more than 45 minutes before being needed again. In our society, it is considered obscene to breastfeed in public. So it becomes yet another task that needs to be done while making sure it goes unnoticed.

Nadine and Kaia for the Pre-Fall 26’ campaign.

Photography Luana Bassil
Art Direction leacasini
Hair WS Hairdresser
MUA Hawraa Al-Dakak Sharbel Hasbany

31/08/2026

This campaign came out as a completely new format for me, for YS. I’ve been asking myself for a long time what actually defines us as women. Then the list kept growing: as Lebanese women, as mothers, daughters, professionals, wives… all these versions of a woman that can exist at once.

‘Work, but not too much.
Be a mother, but don’t forget to be social.
Build a career, but only once your kids don’t need you as much.
Be the bent 3ayle, the devoted mother, the loving wife, the friend that keeps up - and somewhere in between, still have a goal of your own.’

When I had a daughter of my own, I suddenly saw my mother through a different lens - all the sacrifices she made, all the versions of herself she put away just to be called “a mother” instead of her own person. I see them now. Her story is mine too - the same way it’s my Teta Affat’s, and my Teta Samira’s. I used to think my story wasn’t one worth telling, until I realized that the woman I choose to be today will become part of my daughter’s story tomorrow.

Nadine, her children and Coco for the Pre-Fall 26’ campaign.

Photography Luana Bassil
Art Direction leacasini
Hair WS Hairdresser
MUA Hawraa Al-Dakak Sharbel Hasbany