Studio Simone Post

Studio Simone Post With her work Simone Post creates a colourful universe with elaborate applications for material outcasts and fantastical candy objects.

She envisions beautiful projects for Vlisco, Hermès and her own unique collection.

Christmas came late this year… But what a  spectacular ending 🍾 on 20:10 30-12-24 Theo was born!  Wishing you all a grea...
05/01/2025

Christmas came late this year… But what a spectacular ending 🍾 on 20:10 30-12-24 Theo was born!
Wishing you all a great 2025! Looking forward getting to know him and super exited about all the projects coming up!
The start of the year couldn’t have been better! 🚀

Theo Gabrielle Post van der Stel
30 - 12 - 24 🤍
Together with

Thank you  for capturing this otherworldly state of my body Looking forward to meet the little alien that took it over.....
12/12/2024

Thank you for capturing this otherworldly state of my body

Looking forward to meet the little alien that took it over..

Last color version of 3 Blue Sand ODE TO YARN/OMA Made of yarns spun of recycled cottonWoven  with master weaver  Read f...
10/12/2024

Last color version of 3

Blue Sand

ODE TO YARN/OMA

Made of yarns spun of recycled cotton

Woven with master weaver

Read for full story first post

“3 years ago, my grandmother passed away. Last year, she would have turned 100 years old. The world changed immensely during her life. She was a remarkable, independent, intelligent woman with a strong interest in politics and a great longing to work and learn. However she unfortunately could not continue school  after turning 13 unlike her brothers (despite getting a scholarship for it from the school) but had to start working to earn money for her family, which always kept very painful for her.  Later she decided she wanted to be independent and work and therefor to be unmarried. Unplanned, she got pregnant at 38. Being raised and working  in a Catholic environment, she had to give up the child after it was born and was only able to get it back after she got married in front of the church 1.5 years later (pretending that man was the father of her child). And of course, had to stop working, which was an obvious consequence of marriage at that time.
 
She even had three more children after that but struggled in her role as a mother, which could be very frustrating for her and the children. However, during her entire life, she kept making things herself with tremendous energy. She made all her own clothes, knotted carpets, made dolls, belts, embroidered, sewed, crocheted, knitted, and upholstered furniture. At age 96, she would still make a new dress for herself or crochet a sweater for my daughter. Of course, all this was not seen as work but just as simple female homespun.
 
When she passed away, I inherited the contents of her so-called “hobbykamer”: countless boxes filled with yarns, threads, and bobbins.” ———

ODE TO YARN/OMA 157 x 134 cmColor Green Black and Blue Made of yarns spun of recycled cottonWoven at the  with master we...
09/12/2024

ODE TO YARN/OMA

157 x 134 cm

Color Green Black and Blue

Made of yarns spun of recycled cotton

Woven at the  with master weaver

See for full story previous post
“When I was working in the textile museum in Tilburg, the city my grandma lived in for a great part of her life, I decided to weave this tapestry for her as an ode to her. But also as an ode to these undervalued handmade textile crafts of making something from fiber to yarn and from yarn to cloth. I think with losing this generation, we are also losing a lot of knowledge on how to mend our own clothing, how textile things are made, and how much labor, material and time they actually cost to make.”

ODE TO YARN/OMA157 x 134Color red,yellow and blue + PINK!3 years ago, my grandmother passed away. Last year, she would h...
09/12/2024

ODE TO YARN/OMA

157 x 134

Color red,yellow and blue + PINK!

3 years ago, my grandmother passed away. Last year, she would have turned 100 years old. The world changed immensely during her life. She was a remarkable, independent, intelligent woman with a strong interest in politics and a great longing to work and learn. However she unfortunately could not continue school  after turning 13 unlike her brothers (despite getting a scholarship for it from the school) but had to start working to earn money for her family, which always kept very painful for her.  Later she decided she wanted to be independent and work and therefor to be unmarried. Unplanned, she got pregnant at 38. Being raised and working  in a Catholic environment, she had to give up the child after it was born and was only able to get it back after she got married in front of the church 1.5 years later (pretending that man was the father of her child). And of course, had to stop working, which was an obvious consequence of marriage at that time.
 
She even had three more children after that but struggled in her role as a mother, which could be very frustrating for her and the children. However, during her entire life, she kept making things herself with tremendous energy. She made all her own clothes, knotted carpets, made dolls, belts, embroidered, sewed, crocheted, knitted, and upholstered furniture. At age 96, she would still make a new dress for herself or crochet a sweater for my daughter. Of course, all this was not seen as work but just as simple female homespun.
 
When she passed away, I inherited the contents of her so-called “hobbykamer”: countless boxes filled with yarns, threads, and bobbins.
 
When I was working Tilburg , the city my grandma lived in for a great part of her life, I decided to weave this tapestry for her as an ode to her. But also as an ode to these undervalued handmade textile crafts of making something from fiber to yarn and from yarn to cloth. I think with losing this generation, we are also losing a lot of knowledge on how to mend our own clothing, how textile things are made, and how much labor, material and time they actually cost to make.

Silk Show :)We created an upside-down world: an alternative realm where everything is made of silk. At its heart is The ...
01/11/2024

Silk Show :)

We created an upside-down world: an alternative realm where everything is made of silk. At its heart is The Faubourg, Hermès’ very first store and atelier in Paris, where the first silk carré scarf was made. 
 
We turned the building into a magical tent entirely covered in silk, inviting you to embark on an adventure and discover all kinds of stories and playful objects inside.
 
This installation celebrates the endless possibilities of imagination. It expresses the essence of reinterpretation—how a simple table can become a boat, much like a child scavenging through a house making a train out of the pots and pans from the kitchen cupboard.

We received many leftover silk carre scarves from Hermès and turned them into ropes and ribbons, crafting objects creating silk scenes for their current window displays in Copenhagen, Stockholm, Oslo, Brussels, Luxembourg, Knokke, and Amsterdam.

We created  23 windows which we installed ourselves, we made almost  everything here by hand  in our atelier in Rotterdam.

 
 

We created  23 new autumn windows for Hermès which we installed ourselves, we made almost  everything here by hand  in o...
01/11/2024

We created  23 new autumn windows for Hermès which we installed ourselves, we made almost  everything here by hand  in our atelier in Rotterdam.

We received many beautiful leftover silk scarves from Hermès and turned them into ropes and ribbons, crafting objects creating silk scenes for their current window displays in Copenhagen, Stockholm, Oslo, Brussels, Luxembourg, Knokke, and Amsterdam.

 

Re-Wrapped Arita Ware now on display at       Visit waardewerk every day 19-27 Oktober 11:00-18:00 De Fabriek, Baarsstra...
21/10/2024

Re-Wrapped Arita Ware now on display at



Visit waardewerk every day 19-27 Oktober 11:00-18:00
De Fabriek, Baarsstraat 38 Eindhoven

Photo’s by Fan Liao

With (w)aardewerk, Crafts Council Nederland draws attention to urgent issues surrounding the extraction of raw materials in relation to the production of ceramics. Raw materials for clayware come directly from the earth, but due to drought, excavation, a loss of biodiversity, polluting firing processes and cheap mass production, clayware is far from sustainable in today’s day and age.
 
In (w)aardewerk, makers explore sustainable perspectives and potential futures for ceramics. This presentation during Dutch Design Week is the first encouraging and hopeful step in response to fast ceramics.
 
Makers: Atelier Max Lipsey, Benedetta Pompili, Kim Blekkenhorst, Lab AIR - Iris de Kievith, Marte Mei, Niek Hoogland, Simone Post, Studio Christine Jetten, Studio Luske, Studio Noff, Studio Rink, Studio Yoon Seok-hyeon
 
Curated and guided by: Crafts Council Nederland – Marion Poortvliet, Willemien Ippel, Guusje Heesakkers 
Exhibition design: Elvis Wesley

Graphic design: Daniel Maarleveld

Text: Anke Vromen
 
(w)aardewerk is financially supported by: Creative Industries Fund NL, Cultuurfonds, Cultuur Eindhoven, fonds Angela E., Iona Stichting
 
Read more at craftscouncil.nl

Thank you very much for visiting our exhibition  .milano with so many last week! And extra thanks to  for making these n...
28/04/2024

Thank you very much for visiting our exhibition .milano with so many last week!

And extra thanks to for making these nice pictures 🖤

ELVIS - POST - HELICOPTER SHOW
Alcova Milan designweek 2024

For Salone del Mobile 2024, Elvis Wesley, Simone Post, and Adrianus Kundert are joining forces. As befriended creatives they share a fervent enthusiasm for harnessing commonplace materials and techniques and possess the power to transform these into extraordinary objects. They’ve cleared out their studios, gathered prototypes, samples, one-offs, finished items and tools, put it all in a truck and drove off to Milan. They aim to share with you their crafty way of working and give you a glimpse into their creative minds and celebrate together their love for the reclaimed ready-made.

Funded by Creative Industries Fund NL


Simone Post

It’s a twisted world

Post presents to you an ‘Ode to Yarn’, offering insight into her twisted way of working. She perceives the act of twisting ropes as the very foundation of textiles and therefore as the base of all making. This act of twisting reverberates through all her work. For her, it symbolises the intricate complexity of production systems and the contemporary world we have created. Moreover, it reflects the nature of creative processes; in her practice, each project and action intertwine, forming a continuous, non-linear journey. There’s no defined path; rather, each endeavor informs the next, creating a dynamic and fluid journey, a process that is never truly finished.

For now the last Re-Wrapped Arita Ware pieces to share with you A super 7-layer surprise dinner tower, 2 very different ...
07/04/2024

For now the last Re-Wrapped Arita Ware pieces to share with you

A super 7-layer surprise dinner tower, 2 very different teapots and some cups

During my residency in Arita I collected deadstock from Kinemon Kiln and wrapped it with a new layer of overglaze. Giving it a new layer, identity and existence with still showing it’s past
Post-Porcelain

You will also be able to see some of these pieces next week in Milan


Thank you .arita

Some more Re-Wrapped Arita Ware In these pictures a small jewel box, a stacked fancy lunchboxtower, a pleated bowl, and ...
06/04/2024

Some more Re-Wrapped Arita Ware

In these pictures a small jewel box, a stacked fancy lunchboxtower, a pleated bowl, and a color test plate which is actually not done on Arita ware but on a re-wrapped Royal Albert China plate

During my residency in Arita I collected deadstock from Kinemon Kiln and wrapped it with a new layer of overglaze. Giving it a new layer, identity and existence with still showing it’s past
Post-Porcelain

Have a nice sunny day! 🌻

You can find it when you go for a quest in my column cabinets
Thank you .arita

Re-Wrapped Arita Ware During my residency in Arita I collected deadstock from Kinemon Kiln and wrapped it with a new lay...
05/04/2024

Re-Wrapped Arita Ware

During my residency in Arita I collected deadstock from Kinemon Kiln and wrapped it with a new layer of overglaze. Giving it a new layer, identity and existence with still showing it’s past
Post-Porcelain

In these pictures 2 cups, a pleated bowl and rice bowl

You can find it when you go for a quest in my column cabinets
Thank you .arita

Opened yesterday  with  This vigilant column cabinet would love to see you there 👀  paddesignart
04/04/2024

Opened yesterday with
This vigilant column cabinet would love to see you there 👀
paddesignart

Highlander Forest Column 172 x 26 x 34 cmNow Unique piece
04/04/2024

Highlander Forest Column
172 x 26 x 34 cm
Now
Unique piece

I made a new series of column cabinets This one was inspired by the Scottish landscape thanks to a special trip to the h...
31/03/2024

I made a new series of column cabinets

This one was inspired by the Scottish landscape thanks to a special trip to the highlands invited by . This one will be on show next week Paris with

Twisted Flagship Platearita Pictures by Remco Vrolijk
23/03/2024

Twisted Flagship Plate
arita
Pictures by Remco Vrolijk

We did the windows for 18 Hermès stores (55 windows!) in France this last year, which were launched starting of the holi...
16/01/2024

We did the windows for 18 Hermès stores (55 windows!) in France this last year, which were launched starting of the holiday season.
 
Since this season is all about wrapping up the year but also about wrapping gifts for each other, I decided to turn all the windows into a world which is completely wrapped and made from all kind of old wrapping materials.
 
We used mostly old wrapping papers from Hermès itself, like their iconic orange bags as well as old magazines. But we also used for example old misprinted chipsbags for extra holiday season sparkles…
 
I want to thank the Hermès France team for all their fantastic help in producing and installing these windows, which is a logistical crazy rollercoaster madness.
 
 

Adres

Keilestraat 5a
Velserbroek
3029BP

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