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Friday 12:00 - 19:30 Saturday 12:00 - 19:30 Sunday 12:00 - 19:30

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Loop Garms, 635 Veerasamy Road #01/148, Singapore (2026)

06/08/2026

Every JoJo inherits a name. Part 8 begins with a man who cannot remember his.

Created for JoJo’s 30th anniversary, Hirohiko Araki’s Ripples of Adventure opened at The National Art Center, Tokyo from 24 August to 1 October 2018. It marked the first solo exhibition by an active manga artist at a national art museum in Japan and welcomed more than 140,000 visitors before travelling to Osaka.

The Osaka edition ran at the Osaka Culturarium at Tempozan from 25 November 2018 to 14 January 2019, with venue-specific displays and changes to selected works.

At the time, JoJolion was still JoJo’s unfinished present. Part 8 returns to an alternate Morioh, where Hirose Yasuho discovers an amnesiac young man near the mysterious Wall Eyes. Given the name Higashikata Josuke, he begins searching for the life he lost, only to find that every answer leads deeper into questions of identity, inheritance, family and what remains when the past can no longer explain you.

Released exclusively for the Osaka exhibition, this navy-and-white striped shirt draws from Josuke’s sailor-inspired design. Two pink appliqué circles carry Araki’s artwork: one featuring Josuke with Soft & Wet behind him, and another placing Josuke beside Yasuho and Soft & Wet. A small embroidered JoJolion title sits near the collar, while a yellow line-art graphic continues onto the sleeve.

Ripples of Adventure gathered thirty years of JoJo beneath one roof, turning every completed journey into history.
But JoJolion arrived as something history could not yet contain. Its mysteries were still unfolding, its ending had not been written, and the man at its centre was still searching for the life hidden behind his borrowed name.

Every other Part entered the exhibition as a memory.
Part 8 entered still trying to remember itself.

2018 Hirohiko Araki JoJo Exhibition: Ripples of Adventure Osaka Venue Exclusive JoJolion T-Shirt

05/08/2026

The 2011 Stüssy x Marvel collab wasn’t content with slapping comic covers onto tees. After kicking things off with classic Marvel artwork, Series 2 invited a stacked roster of cult artists to reinterpret their favourite characters from scratch. One of the biggest names was John Kricfalusi, better known as John K, the creator of The Ren & Stimpy Show. His rubber-hose expressions, wild exaggeration and beautifully unhinged animation style made him one of the most influential cartoonists of the ’90s, so naturally Marvel let him loose on one of its quirkiest couples.

For anyone who only knows the Fantastic Four from the movies, Johnny Storm once had a long-running romance with Crystal, an Inhuman princess who could bend the elements to her will. It was one of Marvel’s defining love stories through the ’60s and ’70s, until responsibilities, royal obligations and the occasional world-ending crisis finally got in the way. Turns out keeping a relationship alive is hard enough before you throw in alien politics.

John K couldn’t have picked a better pair. His drawings have always looked like they were seconds away from springing into motion, all bulging eyes, impossible poses and expressions stretched to breaking point. Crystal and Johnny already lived loud on the comic page, but through his pen they become even more chaotic, playful and larger than life. It’s the kind of crossover that only made sense in 2011, and exactly why people are still hunting these tees down today.

𝟐𝟎𝟏𝟏 𝐒𝐭𝐮𝐬𝐬𝐲 𝐱 𝐌𝐚𝐫𝐯𝐞𝐥 𝐂𝐫𝐲𝐬𝐭𝐚𝐥 & 𝐉𝐨𝐡𝐧𝐧𝐲 𝐓𝐞𝐞

02/08/2026

Aiko blooms here in every colour the story would later take from her. Flowers gather around her as though beauty could still protect her from what comes next.

In Oyasumi Punpun, Tanaka Aiko enters Punpun’s life as his first love and slowly becomes something far more dangerous: the memory he builds his entire future around. As children, they promise to escape to Kagoshima together. Years pass, but Punpun never truly leaves that promise behind. He clings to Aiko as proof that somewhere beneath everything he has become, the boy he used to be might still be waiting.

When they finally find each other again, there is no childhood left to return to. Only two damaged people carrying years of loneliness, fear and disappointment into the same room. What Punpun once imagined as salvation becomes the beginning of their final descent, and the dream that kept him alive for so long begins to suffocate them both.

This design was released in 2017 through AMNIBUS, arma bianca’s officially licensed character-goods platform. It formed part of an Oyasumi Punpun merchandise release that carried Inio Asano’s artwork beyond the manga, with this illustration appearing both as an F3 canvas and a full-graphic T-shirt.

The colour almost fights against everything readers remember. Aiko’s pale face rests beneath rainbow hair and an eruption of flowers, preserving her without the fear, exhaustion or grief that would eventually consume the story around her.

Here, Aiko is allowed to remain exactly where Punpun kept her for years: beautiful, distant and untouched by what came next.

The manga knew better.

2017 AMNIBUS Oyasumi Punpun Tanaka Aiko Full Graphic T-Shirt Vol. 2

01/08/2026

In 2012, JoJo’s Bizarre Adventure celebrated 25 years of serialisation while Hirohiko Araki marked 30 years as a manga artist.

The Hirohiko Araki JoJo Exhibition opened in Araki’s hometown of Sendai from 28 July to 14 August, before moving to Tokyo’s Mori Arts Center Gallery from 6 October to 4 November. More than 200 original works traced his career and Parts 1 through 8, joined by nine newly drawn pieces, character installations and AR experiences.

It arrived at a turning point for the series. The anniversary project also brought the announcement of JoJo’s first television anime and the PlayStation 3 game All Star Battle. The exhibition looked back across a quarter-century just as JoJo was preparing to enter its next era.

Issued for the Tokyo exhibition, this shirt gives Steel Ball Run the entire front. Araki’s linework gathers Gyro Zeppeli, Parallel World Diego Brando and THE WORLD, Johnny Joestar, Funny Valentine, Lucy Steel and Tusk ACT4 into one rising composition. Together, they represent the figures who shaped a race across America that became a struggle over the Saint’s Co**se, political power and Johnny’s painful attempt to move forward again.

The back widens the view, listing every Part from Phantom Blood to the then-current JoJolion before ending with To Be Continued. It also preserves two relics of JoJo’s English branding in 2012.

Part 4 appears as “Diamond is not Crash,” an early official English title used by Shueisha in Japan before “Diamond is Unbreakable” became standard. Part 7 appears as “Streel Ball Run,” an accidental extra “r” immortalised in the print.

At an exhibition honouring everything JoJo had become, this shirt chose the Part that proved the series could abandon its universe, cross America and begin again.

The back looked over twenty-five years.
The front kept riding forward.

2012 Hirohiko Araki JoJo Exhibition Tokyo Steel Ball Run T-Shirt

30/07/2026

I failed. I failed. I failed.
I’m sorry. I’m sorry. I’m sorry.
This life was meaningless.

By the time Amane Suzuha remembered her mission, most of her life was already behind her. What should have been a journey to save the future had decayed into twenty-four lost years, and every peaceful memory from that borrowed time returned as guilt. The cruelest part was not that she forgot. It was that she remembered too late.

Originally released as a visual novel in 2009 and adapted into anime in 2011, Steins;Gate follows Okabe Rintaro and the Future Gadget Laboratory after their modified microwave begins sending messages into the past. Strange experiments and Akihabara banter soon give way to world lines, irreversible choices and the cost of deciding who gets to be saved.

Suzuha first appears as the lively part-timer beneath the laboratory. In truth, she is a time traveller from 2036 and Hashida Itaru’s future daughter, sent from a world ruled by SERN. Her mission is to reach 1975, recover an IBN 5100 and leave humanity a chance to escape that future.

But Okabe changes the past so she can stay long enough to find the father she crossed time hoping to meet. During that delay, her time machine is damaged. The journey to 1975 erases her memories for twenty-four years. When they return, the IBN 5100 is beyond her reach and most of her life is already gone.

Across this shirt, Suzuha’s letter is reproduced in Japanese. It begins almost calmly, until guilt consumes the page and the same words multiply in red:

失敗した。失敗した。失敗した。
I failed. I failed. I failed.

She apologises for forgetting her mission, for living peacefully while the future waited and for wasting the years she had been given. Eventually, the letter stops sounding as though it was written for Okabe at all. It becomes Suzuha sentencing herself for a tragedy she never meant to create.

She did not fail because she lacked courage. She failed because someone cared enough to ask her to stay.

Steins;Gate is a story about changing the past.

Suzuha’s letter is the moment it asks what happens when the past changes you first.

Late 00s Steins;Gate Amane Suzuha “I Failed” L

29/07/2026

This red and green duo goes way back like Christmas. Spider-Man’s very first encounter with the Hulk happened all the way back in The Amazing Spider-Man #14 in 1964, where Peter did what every teenager with superpowers apparently does, and picked a fight with the strongest guy in the room. Since then they’ve gone from punching each other to saving the world as Avengers, Fantastic Four stand-ins, and reluctant teammates whenever those few blocks of New York looked particularly doomed. Peter usually brings the jokes while Bruce brings the seismic property damage, but there’s always been a mutual respect between the brains behind the masks.

That push and pull is exactly why seeing them together again on the big screen is so exciting. Spider-Man has always represented hope, quick thinking and heart. Hulk is raw emotion with fists the size of hatchbacks. Whether they’re arguing, teaming up or accidentally flattening half a city block, they bring out sides of each other that no one else quite can. If Brand New Day leans into that comic book history instead of treating Hulk like a glorified cameo, we could be in for one of the most entertaining Spider-Man team-ups - or tussles - in years. On this note, let’s check back in in a couple of hours, eh? ;)

𝐄𝐚𝐫𝐥𝐲 𝟎𝟎𝐬 𝐒𝐩𝐢𝐝𝐞𝐫-𝐌𝐚𝐧 & 𝐇𝐮𝐥𝐤 𝐓𝐞𝐞

28/07/2026

On the shore, everything returns: waves, driftwood, memories. Youth is the one thing the tide cannot bring back.

First published in 2009, Inio Asano’s A Girl on the Shore (うみべの女の子) follows 14-year-old Sato Koume and Isobe Keisuke in a sleepy seaside town. After Koume is rejected by an older boy, she turns to Isobe, a classmate who once confessed his feelings to her. Their secret physical relationship begins without love, yet gradually becomes the place where both try to bury loneliness, humiliation and grief.

The manga is frequently regarded as one of Asano’s most confronting works. Its frank depiction of adolescent sexuality is inseparable from the characters’ emotional damage. The deeper subject is disconnection: two young people close enough to touch, yet unable to say what they need. Detailed streets, empty rooms and the sea itself deepen the isolation, turning the town into another silence surrounding them.

In 2021, A Girl on the Shore became a live-action film directed by Ueda Atsushi, starring Ishikawa Ruka as Koume and Aoki Yuzu as Isobe. Released in Japan on 20 August, the film carried Asano’s uncomfortable coming-of-age story into live action, preserving its quiet coastal atmosphere and the emotional distance between its two leads.

For the film’s release, Asano drew two original illustrations titled “Koume and Isobe After That.” They show the pair as high-school students sometime after the manga’s final chapter. The designs appeared on T-shirts sold exclusively at participating cinemas, alongside postcards, a pamphlet and other theatrical merchandise.

Koume returns to the shore beneath an enormous sky. Isobe disappears into a city crowded with signs, wires and strangers.

The story ended. Their lives did not.

2021 ‘A Girl on the Shore’ Film Theatrical Exclusive ‘Koume and Isobe After That’ T-Shirts

27/07/2026

Part 9 arrives in paradise, but JoJo has never trusted beautiful places. Beneath Hawaii’s palms and open skies, rain falls with impossible weight and fortune begins to look dangerously close to fate.

When The JOJOLands began in Ultra Jump on 17 February 2023, it opened the ninth chapter of JoJo’s Bizarre Adventure with Jodio Joestar, a teenager living on Oahu who dreams of becoming enormously wealthy. Hawaii is written into the story’s identity, from its palm-lined roads and volcanic landscape to the strange “mechanisms” governing wealth, fate and the people caught between them.

That world took over the cover of JOJO magazine 2023 WINTER, released on 19 December 2023. The third issue of the all-JoJo publication ran for 288 pages, led by an original Hirohiko Araki illustration and accompanied by features on The JOJOLands, Araki’s creative process, Stand-related material, original manga and fiction, interviews, artwork and two special stickers.

For purchasers of the physical first edition, the magazine also contained the route to this exclusive aloha shirt. Readers needed a unique serial code to access the limited mail-order campaign, which ran from 19 December 2023 to 18 February 2024. The digital edition was excluded, and the design was offered in two colourways: Passion Orange and Payne’s Grey.

Part 9 was still near the beginning when readers placed their orders. Its destination remained unknown, its mechanism had only begun to move, and every chapter still felt like another step onto unfamiliar ground.

This shirt belongs to that early moment, when The JOJOLands was still a new coastline and nobody knew how far inland the story would take us.

p.s yall not ready for the new torture dance (and probably only getting animated probably more than a decade later)

26/07/2026

Hall H just reminded everyone Marvel still knows how to make a room collectively lose their s**t. Between the massive Avengers: Doomsday reveals, Doctor Doom taking centre stage, surprise castings, and enough multiversal chaos to keep Reddit busy for the next six months, somewhere Kevin Feige is probably already cooking up another post-credits scene we’ll spend way too long arguing about.

Funny enough, this tee predates all that complicated MCU madness. Back in 2011, Stüssy dropped a Marvel collection that felt more like something made by fans than marketers. Released in two waves, the first pulled from classic Marvel artwork while slyly injecting the Stüssy branding, while the second invited a crew of artists to reimagine characters in their own signature visual language. You’ve seen the ones we had - Doctor Doom, Silver Surfer, Doc Ock, Mystique… because there’s more where that came from. In this one, the front packs in the heroes, while the back flips the script with their signature villains. It’s one of those details you don’t notice immediately, but once you do, it’s impossible not to appreciate. No loud movie logos, no “limited multiverse edition”, just clean comic book storytelling on cotton.

15 years later, Marvel is still finding new ways to pit heroes against villains on the biggest stage possible. This tee just happened to get there first. Sometimes the best crossover isn’t on a cinema screen. It’s already hanging in your wardrobe.

𝟐𝟎𝟏𝟏 𝐒𝐭𝐮𝐬𝐬𝐲 𝐱 𝐌𝐚𝐫𝐯𝐞𝐥 𝐓𝐞𝐞

26/07/2026

Hall H just reminded everyone Marvel still knows how to make a room collectively lose their s**t. Between the Doomsday reveals, Doctor Doom taking centre stage, surprise castings, and enough multiversal chaos to keep Reddit busy for the next six months, somewhere Kevin Feige is probably already cooking up another post-credits scene we’ll spend way too long arguing about.

Funny enough, this tee predates all that complicated MCU madness. Back in 2011, Stüssy dropped a Marvel collection that felt more like something made by fans than marketers. Released in two waves, the first pulled from classic Marvel artwork while slyly injecting the Stüssy branding, while the second invited a crew of artists to reimagine characters in their own signature visual language. You’ve seen the ones we had - Doctor Doom, Silver Surfer, Doc Ock, Mystique… because there’s more where that came from. In this one, the front packs in the heroes, while the back flips the script with their signature villains. It’s one of those details you don’t notice immediately, but once you do, it’s impossible not to appreciate. No loud movie logos, no “limited multiverse edition”, just clean comic book storytelling on cotton.

15 years later, Marvel is still finding new ways to pit heroes against villains on the biggest stage possible. This tee just happened to get there first. Sometimes the best crossover isn’t on a cinema screen. It’s already hanging in your wardrobe.

𝟐𝟎𝟏𝟏 𝐒𝐭𝐮𝐬𝐬𝐲 𝐱 𝐌𝐚𝐫𝐯𝐞𝐥 𝐓𝐞𝐞

Loop Garms

06/08/2026

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02/08/2026

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30/07/2026

29/07/2026

28/07/2026

27/07/2026

26/07/2026

26/07/2026

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