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Bushido: The book that changed Japan’s imagePublished in 1900, Bushido: The Soul of Japan changed how the nation was per...
27/04/2022

Bushido: The book that changed Japan’s image
Published in 1900, Bushido: The Soul of Japan changed how the nation was perceived around the world, writes Michiyo Nakamoto.
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The Last Samurai, a sweeping Hollywood epic, tells the story of Katsumoto, a rebel samurai who dedicates his life to fighting the forces he believes are corrupting Japan’s traditional values. As seen through the eyes of US Army Captain Nathan Algren – who is hired by Japan’s Imperial Army to help fight the rebels, but is taken into captivity by them – Katsumoto and his band of rebel samurai epitomise the honourable warrior: fearless, dedicated to their duty, hard-working and disciplined but also polite and benevolent towards their captive. After witnessing the noble ways of the samurai, Algren switches allegiance to help Katsumoto in his fateful mission.

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From Hollywood blockbusters to Japanese TV dramas, the samurai has been portrayed over the years as a model of both physical excellence and moral rectitude, for whom honour and loyalty are more valuable than life. This image of the samurai, though not historically accurate, is widely entrenched in the popular imagination, due in no small part to a slim volume written in English at the turn of the 20th Century by Inazō Nitobe.

'Cluttercore': the anti-minimalist trend that celebrates messMaximalist interiors full of mismatched stuff are a sign of...
26/04/2022

'Cluttercore': the anti-minimalist trend that celebrates mess
Maximalist interiors full of mismatched stuff are a sign of the times. Bel Jacobs explores the rise of creative chaos at home, and why it makes us feel safe and cocooned.
"I've always been fascinated by all types of objects: toys, illustrated books, postcards, porcelain," says Spanish artist Juanjo Fuentes, who is telling BBC Culture about his fantastical home in the historic centre of Malaga, in which almost every surface is covered by a joyous array of baubles and curios. "I get things from flea markets and I've always been the one keeping the family objects. And I'm very lucky because my friends offer me the objects that belonged to their relatives – they are more minimalist than I am," he laughs.

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The rooms are filled with gorgeous abundance: light and pattern, inspiration for both the eye and the mind. Artworks, exchanged with fellow artists, swell the walls. It's no surprise that, when the Centre de Cultura Contemporània de Barcelona (CCCB) was looking for artists to illustrate the act of creative curation, they paired Fuentes with British photographer Martin Parr: "Both collections are generated by compulsive collecting and mass results." That was 2012. Now, nine years later, Fuentes' beautiful eclecticism feels more relevant than ever.

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