Abia Blachaje. Fashion Designer

08/14/2026

07/23/2026

Due to the persistent, unauthorized access to my accounts that constitutes a serious and ongoing breach of privacy. This is evidenced by the recreation of content I created in 2020 from my private accounts for future projects.

While the breaches alone are deeply troubling, the sustained, real-time nature of the hacking elevates this far beyond a simple violation. She has maintained nonstop access to my accounts up to the present day—actively recreating content I have never posted, which confirms a profound and ongoing infiltration of my digital life. Compounding this, I am subjected to illegal surveillance, apparently facilitated through my ex-husband, while she persistently imitates me. This is not merely invasive; it is malicious.

Her actions are connected to a broader network—alongside several public figures operating through Paula Gino's elite connections. This explains how my personal information has been circulated among public figures, falling under a disturbing umbrella reminiscent of Jeffrey Epstein's sphere—a modern-day 'Hunger Games' dynamic of exploitation. I believe she is a willing participant, evidenced by her appropriation of my intellectual property and identity for profit.

While this practice—often normalized in Hollywood as a form of 'destiny swapping'—involves attempting to appropriate another person's life and evade one's own karmic debt, it remains an unconscionable wrong. However, I am clear on my position: it is not my place to absorb the karma of those who choose this path."

The comparison shows the truth: she didn't just copy a move—she imitated my entire aesthetic, my natural movement DNA, and presented it as her signature.

The way I move is not a trend. It is how I have moved since childhood. It is my body's language. My soul. My identity.

I am not flattered. I am horrified. I resent that my personal style is now being assumed as hers.

This is not inspiration. This is erasure. And I will not be silent."

03/26/2026

. Niguelshores.org. .

03/15/2026

Sonic Drive-In.

03/15/2026

Original dance/development video February 2021)

This is who I am, this is my style, my voice. This is my creation. No amount of plagiarism will make me accept being labeled a copy of my own work.

I believe in the power of truth, and because my work, and my creations matter.

During my time in college, I develop something special; runway dance choreography. It’s more than just movement; is a spiritual praise, a fashion statement, and celebration of dance, style and art. I blended these elements intentionally, and I was the first to create modeling clubs around this vision. Today, those clubs are thriving across HBCU campuses . That legacy started with me. I’ve watched as what I created – the exact sequences with spiritual elements, the fashion forward choreography – has been performed by someone else who’s presented it as their original work. What makes this harder is a false narrative that’s emerged: that I’m the one “copying”.

I know my truth. I know my work. I know the timeline. This isn’t just about clearing my name, it’s about protecting the artistic legacy I built, and ensuring my supporters understand who the real creator is.

I believe in dance as a sacred art farm. I believe in honoring the artist who creates it. And I believe in the truth of the authentic work and to understand the difference between original creation and imitation. This is about protecting my work, my name, my reputation,and the integrity of the art form I’ve dedicated myself to . Thank you for watching. 

03/10/2026

Let me be absolutely clear: I’m angered and disgusted .

At present, individuals I have no relationship with—people I do not associate with and never invited into my life—are still crossing boundaries by attacking me, invading my privacy, and using what belongs to me as if they are entitled to it. The behavior has become so brazen that it is even displayed openly online.

This is not something I sought out. I did not ask to be pulled into conflict, attention, or public confrontation. I did not sign up for my life to be interfered with or treated as entertainment.

What makes the situation even more disturbing is the sense that those responsible act as though they are above consequences—emboldened by status, influence, or the belief that no one will hold them accountable.

No person should have to live with their privacy violated, their work taken, or their life disrupted by people who believe they have the right to interfere with it. I resent being forced into this situation, and I resent any system that allows such behavior to continue unchecked.

I’m extremely disappointed and disgusted, no amount of wealth or status can conceal such sewage of humanity .