Makwa Studio

Makwa Studio Started by Minneapolis based textile artist and designer Maggie Thompson, Makwa Studio specializes in knitwear and fine art textiles.

My partner lum_inousforms is also an artist and just made some new shirts. He is into the graff and mural scene. Show so...
08/27/2026

My partner lum_inousforms is also an artist and just made some new shirts. He is into the graff and mural scene. Show some love and give him a follow, swipe to see some of his work and if interested in his shirts you can get one at https://luminousforms.bigcartel.com or follow the link in bio ✨✨✨

Work life these days ✨✨✨
08/26/2026

Work life these days ✨✨✨

A throwback to another piece of my earlier work from school.I made this piece during college, after reflecting on my own...
08/25/2026

A throwback to another piece of my earlier work from school.

I made this piece during college, after reflecting on my own experiences with partying, drinking, and navigating the assumptions people sometimes made about me because I’m Native. The beer caps represent the association of alcoholism with Native Americans and how deeply that stereotype has become embedded in perceptions of our culture and history.

At the time, I was experimenting, learning, and figuring things out, just like so many other college students who were partying and drinking. But being Native meant that my choices were sometimes viewed through a different lens.

Now, my partying days are mostly behind me, and this work still resonates with me. I recognize the very real ways alcohol has negatively impacted Native communities and the importance of acknowledging that history. At the same time, I don’t think alcohol use or addiction should be treated as something inherently tied to being Native. Alcohol can negatively impact people and communities from all backgrounds, and everyone’s relationship with it is different. For me, this piece is ultimately about challenging assumptions and recognizing that we are individuals, not stereotypes.

Anyways, just another piece from the archives that reminds me where some of my artistic conversations began.

This project is an intergenerational collaboration between my mother and me, rooted in shared observation of land and th...
08/22/2026

This project is an intergenerational collaboration between my mother and me, rooted in shared observation of land and the ways we each translate what we see.

Using the arboretum as our shared point of reference, we’re bringing together two distinct visual languages: my beadwork floral designs and my mother’s painterly studies of ground, dirt, foliage, and earth.

Rather than depicting flowers directly, my mother’s paintings focus on the soil that sustains them as a reflection on texture, nourishment, and a mother’s role as nurturer. In response, I’m creating small beadworked floral pieces inspired by the flowers growing around the arboretum, bringing Ojibwe floral design into conversation with her paintings.

Her paintings become both physical and conceptual foundations for my work. Together, the pieces reflect how knowledge is passed between generations, how we grow from our familial foundations, and how two people can look at the same land and see it differently.

These work-in-progress photos offer a glimpse into that process. We’re creating a series of small paired works that honor land, lineage, and the relationship between mother and daughter.

The arboretum has become more than a place of study—it’s become a shared teacher.

Although we had to bid farewell to Sage 🗡 sage , we’re so grateful for the time, creativity, fun facts and heart they sh...
08/13/2026

Although we had to bid farewell to Sage 🗡 sage , we’re so grateful for the time, creativity, fun facts and heart they shared with us.

Please show Sage’s work some love by giving them a follow to support their artistic journey. ✨✨✨

Sage Phillips (b. 2000) is a visual artist based in Minneapolis, specializing in oil painting. Their work explores fantastical realms within the animal and natural world and has been described as “emotional telepathy.” Sage earned a BFA from the Minneapolis College of Art and Design in 2022. Their work has been exhibited throughout the Midwest—and Sage wishes to live inside your tender little heart.

Recently completed, this work was created in honor of Renee Good, using one of the umbrellas we made during the Ice Occu...
07/28/2026

Recently completed, this work was created in honor of Renee Good, using one of the umbrellas we made during the Ice Occupation to shield protesters. Once a tool of protection in the streets, it now carries another kind of witness.

Beaded onto the umbrella is an excerpt from Renee Good’s poem On Learning to Dissect Fetal Pigs. The poem reflects on the experience of learning to separate life into parts in the name of education, while grappling with empathy, vulnerability, and the tension between detachment and care. It asks what is lost when we are taught to look without feeling, and what it means to hold onto compassion in the face of violence.

Bringing these materials together felt like a way to honor Renee’s words and the communities they continue to resonate with. An object once used to protect bodies now also protects memory, poetry, and the insistence that care is a form of resistance.

Now that we’ve officially met, I thought I’d invite you into my studio at the Northrup King Building and show you three ...
07/24/2026

Now that we’ve officially met, I thought I’d invite you into my studio at the Northrup King Building and show you three of my favorite spots around here.

1. The industrial Stoll machine

This is one of the workhorses of the studio that we’re humbly transitioning to. She’s big, she’s loud, and she can do some pretty incredible things.

(Also behind the Stoll is all my inspiration 👉🏽 photos, quotes, samples and art from a few of my favorite people)

2. The yarn shelves

Honestly, probably my favorite view in the studio. There is something deeply satisfying about seeing all of the colors and textures lined up together and, of course, an endless number of possibilities hiding in all those cones.

3. My vintage Brother hand-flat knitting machine

A much smaller, much more hands on counterpart to the Stoll. This vintage machine has a special place in my heart and practice as I first learned it at RISD and is perfect for experimenting, sampling, and making things that require a little more attention and a lot more patience.

These are just three main spots that make up the studio and where I spend a lot of my time. I’ll of course be sharing more... Thanks for being here and if you’re new drop a hello in the comments below. ✨✨✨

I know it’s hot out there but we’re cleaning house and still have one Ska cowl left! Ready to ship Monday. Swipe to see ...
07/19/2026

I know it’s hot out there but we’re cleaning house and still have one Ska cowl left! Ready to ship Monday. Swipe to see how worn. Link in bio. Description below:

Pull out your trumpets, saxophones, and trombones, because this cowl will have you skankin’ on the dance floor.

It is hand loomed on a knitting machine and is fully fashioned to have the pattern inside and out, creating a cozy double layer.

Handmade in MN | 100% Wool

10” in height | 24” in circumference

Dry clean or hand wash in cool water with a mild detergent | Lay flat to dry

On view for “Hold To This Earth” at Yorkshire Sculpture Park ✨✨✨
06/15/2026

On view for “Hold To This Earth” at Yorkshire Sculpture Park ✨✨✨

Obsessed with this hat knit by  ❤️
05/10/2026

Obsessed with this hat knit by ❤️

Address

1500 Jackson Street NE #238
Minneapolis, MN

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